On Sunday, February 5, Bonnie Raitt took home the Grammy for Song of the Year for her self-penned song, “Just Like That.”
“Just Like That” tells a story of a mother’s journey after the loss of a child, the healing power of organ donation and the connection between a donor family and a recipient. Through powerful lyrics, a mother gets to be with her son one more time because of the kindness of a stranger, and because of the kindness she first showed him.
The Alliance congratulates Bonnie Raitt for her Grammy Award-winning Song of the Year, and we extend our heartfelt thanks for bringing awareness to the profound power of organ, eye and tissue donation. We invite everyone to register as an organ, eye and tissue donor by visiting RegisterMe.org, and sharing your decision with your loved ones.
The following is an excerpt from American Songwriter, describing the origins of her award-winning song:
The Origins
In conversation with American Songwriter, Raitt explained the inspiration for “Just Like That” came from a human interest piece that had been broadcast on the news. The story was about a woman who had donated her son’s heart after his death and was about to meet the organ’s recipient for the first time.
“I just lost it,” Raitt said of the moment the man let the mother hear her late son’s heart in his chest. “It was the most moving and surprising thing. I wasn’t expecting it. I vowed right then that I wanted to write a song about what that would take.”
And so she set out to write the story song, “Just Like That,” and her subsequent album of the same name. In between her words of disbelief, she reiterated the story behind the song in her Grammy acceptance speech, citing the late great John Prine as instrumental inspiration as well.
Watch her acceptance below.
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The Lyrics
“Every time I hear about a family donating organs when their child has been killed, or there’s some sort of sudden death—as if you’re not in grief and shock enough—to have the view and the compassion and the love to be able to pay it forward like that is so incredible,” Raitt told American Songwriter.
“Just Like That” tells the story of the meeting of the mother and the recipient, depicting an interaction that is both heartwarming and gut-wrenching.
I watched him circle ’round the block / Finally stopped at mine / Took a while before he knocked / Like all he had was time, the song begins with curiosity and apprehension ahead of the bittersweet meeting. “Excuse me, ma’am, maybe you can help / The directions weren’t so clear / I’m looking for Olivia Zand / They said I might find her here.”
Well I looked real hard and asked him / “What she’s got he’s looking for?” the song’s narrator responds. Met with the reply Said “there’s somethin’ I think she’d want to know,” the tune takes off on a touching journey of loss and love.
And just like that your life can change / If I hadn’t looked away / My boy might still be with me now / He’d be 25 today, the chorus plays, No knife can carve away the stain / No drink can drown regret / They say Jesus brings you peace and grace / Well he ain’t found me yet.
The next verse reveals why this stranger has come and what it is he has to say. He sat down and took a deeper breath / Then looked right in my face / “I heard about the son you lost / How you left without a trace / I’ve spent years just trying to find you / So I could finally let you know / It was your son’s heart that saved me / And a life you gave us both.”
Just like the exposé that inspired “Just Like That,” the mother gets to be with her son one more time because of the kindness of a stranger, and because of the kindness she first showed him.
And just like that your life can change, the song comes to a close. Look what the angels send / I lay my head upon his chest / And I was with my boy again / Well I spent so long in darkness / I never thought the night would end / But somehow grace has found me / And I had to let him in.
Senior Director, Communications and Strategic Initiatives
Corey Bryant brings more than 15 years of communications experience to The Alliance, having served in communications and public relations roles for Disney Parks and Resorts, Disney Cruise Line and TransLife (now OurLegacy), the OPO serving East Central Florida. He has also been an active board member of Donate Life Florida, having served as state team leader for Driver License Outreach. Corey is a proud alum of The University of Alabama and serves on the board of directors for Come Out With Pride Orlando as well as Five Horizons Health Services, a not-for-profit organization providing access to progressive HIV testing, prevention and LGBT+ focused healthcare throughout West Alabama and East Mississippi.
My wife Joan deeply loved Bonnie Raitt, as a musician and as a role model. Joan always saw Bonnie as a wonderfully strong, outspoken and progressive, independent woman.
Growing up, I admired Bonnie Raitt as well, for her social justice advocacy and activism. My early musical passions, on the other hand, leaned more male heavy, to musicians like Bruce Springsteen and Jackson Browne.
But after Joan and I met, fell in love and married, I found myself coming to share her intense passion for Bonnie Raitt’s music. In our household, I had the chief responsibility for keeping tabs on upcoming concerts, and I made sure to buy tickets whenever Bonnie came through our Washington, D.C., metropolitan area. Over 35 years, we must have seen Bonnie Raitt in person at least 10 times, at venues that ranged from the Merriweather Post Pavilion in Maryland and Wolf Trap in Virginia to Constitution Hall and the Kennedy Center in the District.
Our two daughters, now in their early and mid-30s, went through a musical evolution as well. They went from captive audience, forced to listen to Bonnie ‘s music on long car rides, to big fans.
Throughout all these years, Joan’s career in education was getting ever more demanding. She rose to a top administrative position in Special Education for one of the nation’s 20 largest public school systems, with responsibility over a mega-million dollar budget. In such a large system, not surprisingly, Joan ran into some bitter “office politics,” and she could take efforts to put roadblocks in her way, personally. Bonnie’s song, “I Will Not Be Broken,” would become Joan’s personal anthem.
We would end up able, by and large, to handle all the ups and downs of career and family life, at least until we faced the challenge of a gut-punch we had never expected: Joan’s diagnosis of pancreatic cancer in March 2019. At the time, Joan had just about reached her 63rd birthday.
Music — from Bonnie Raitt and anyone else — would quickly fade from our focus. Appointments with oncologists and chemotherapy treatments would soon fill our schedules, followed by proton therapy from our home outside Washington to trips to Baltimore’s University of Maryland Medical Center. Eventually, our treatment path led to the “Whipple procedure,” a surgery that aims to double the chances for a better five-year survival rate.
The doctors warned us beforehand that even initially successful surgery can go south. In Joan’s case, unfortunately, it did. Which brings me back to Bonnie Raitt.
What could I do for Joan in those final days? How could I lift her spirits when her life was ebbing away? I thought about Bonnie Raitt and, with some wonderful help, I tracked down email addresses and contacts for people close to her. Her personal assistant would soon prove invaluable. I had one question: “Would Bonnie be willing to call a lifelong supporter to lift her spirits in a most difficult time?”
The answer would be yes.
We had a few predictable fits and starts in setting the contact up, but finally, early in February 2020, we had everything all ready. About an hour before the scheduled call, I gave Joan some warning. I told her she’d be receiving a call from the West Coast. Was our friend Sharon, Joan asked, going to be calling? No, I replied, “Bonnie.”
“Bonnie who?” Joan asked.
“Bonnie Raitt,” I said.
Joan went into total shock. For just a moment, she could forget all about her oppressive prognosis.
At the scheduled time, Bonnie called. She and I spoke briefly. I told her about Joan and how much Bonnie’s music had always meant to her. I explained that I had been working for economic and social justice as a Maryland state legislator since the 1980s. Her response: “Keep on fighting.”
I then went upstairs and gave Joan the phone. Bonnie would be friendly, affirming and inquisitive, particularly about Joan’s lifelong commitment to children with disabilities. After almost 15 minutes, the call ended, leaving Joan in semi-shock, still trying to process that she had just spoken to the Bonnie Raitt.
Joan passed away six weeks later. I can only hope she had sweet dreams after the call strong enough to banish — if only for a few nights — the end she knew was coming. Bonnie Raitt frequently sings the great John Prine song, “Angel from Montgomery.” That evening of the call and ever since, Bonnie Raitt has been that angel for our family.
Early this June, my daughter, some friends, and I saw Bonnie Raitt perform for the first time since Joan’s passing over two years earlier. What with COVID, Bonnie hadn’t been touring for several years.
Her set and music turned out to be, as always, outstanding. She became particularly emotional explaining the roots of her new song, “Just Like That,” the story of a man who seeks out the mother of the young man who gave him a new heart — and life. Bonnie’s love and compassion came through deeply throughout the concert. But I already knew that. I knew her caring amounted to much more than mere performance.
Only one of my daughters attended that night, the other had an out-of-town commitment. She missed a great concert. I enjoyed it immensely.
It just wasn’t quite the same.
Paul Pinsky (paul.pinsky@senate.state.md.us), a former teacher, currently serves as a senator in the Maryland state legislature.
“The song and the music video are also like prayer offered in ceremony, asking for strength, justice, and preservation”
— Winona LaDuke
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Bonnie Raitt and the Indigo Girls are among the many voices featured on “No More Pipeline Blues (On this Land Where We Belong),” out on Earth Day (April 22nd) via Rock the Cause Records.
The track supports the ongoing fight against Minnesota’s “Line 3” tar sands oil pipeline, which cuts through more than 200 bodies of water, including the Mississippi River. The resistance is heavily led by indigenous women, including activist Winona LaDuke — who has spent the last eight years trying to prevent the construction of Line 3.
In addition to Raitt, the Indigo Girls, and LaDuke, the song also features the first Native American poet laureate, Joy Harjo, as well as Waubanewquay, Day Sisters, Mumu Fresh, Pura Fe, Soni Moreno, and Jennifer Kreisberg. It was produced and composed by Larry Long.
The accompanying video, directed by Keri Pickett, shows indigenous peoples protesting on the front line, holding signs, and confronting the police. Proceeds for the song will be donated to Honor the Earth, a nonprofit founded by LaDuke and the Indigo Girls.
” ‘No More Pipeline Blues’ beautifully illustrates in music, singing, spoken word, and images the threats of a totally unnecessary tar sands pipeline at the end of the age of Big Oil,” LaDuke said in a statement. “But it also illuminates the sacredness of our environment, and yet more destructive, historical impacts to indigenous culture. Still, the song and the music video are also like prayer offered in ceremony, asking for strength, justice and preservation.”
“I’ve been involved with Honor the Earth and their work protecting Native lands and water since the early Nineties,” added Raitt. “With the climate crisis beyond its tipping point, the movement to stop these destructive and unnecessary fossil fuel pipelines is crucial and deserves more attention than it’s getting. We can join the worldwide shift to developing renewables, ensuring the protection of our environment, the creation of thousands of jobs, and lessening the risk and trauma to both Native communities and the whole Great Lakes region. I’m hopeful ‘No More Pipeline Blues (On This Land Where We Belong)’ will bring more awareness about the need to stop Line 3 and capture the attention of Minnesota Governor Tim Walz as well as President Biden, who have the authority to stop construction of the pipeline until ongoing environmental litigation is settled.”
Tell President Biden to #Stopline3
The headwaters of the Mississippi flows for millions downstream. Why would we want to pump 915,000 barrels a day of tar sands oil through her?
We set up a way to send a letter to President Joe Biden (goes to the White House directly) asking him to #StopLine3.
You can share your own story why Biden needs to Stop Line 3 now securely and safely.
We appreciate your support. Together we will Stop Line 3
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada