There are two ways to carry old practices forward: Preserve or adapt. Both approaches have their ups and downs. Mere preservation can turn something hard, laying on the sheen of authenticity that masks death within. Adaptation can dilute a thing’s essence so thoroughly as to render it unrecognizable.
The most skillful practitioners of a tradition — the blues, for example — swim between these two lanes with a fluidity which belies the thought and effort that makes their work so smooth. Bonnie Raitt has been doing this since 1971, when she emerged as a redheaded hope for a musical style that had already been co-opted by many an overblown classic rocker. With a voice as buttery as grits and a remarkable capacity for playing bottleneck guitar, Raitt quickly earned her place on the dais with forebears like Sippie Wallace and Howlin’ Wolf. But she also had a great pop sense, finding kinship with contemporary songwriters like Jackson Browne.
Fast forward more than four decades, and Raitt still moves forward with grace and substance, showing how the blues remain relevant, both to her personally and in the larger world. Slipstream is the guitarist and singer’s first release since 2005, inaugurating her label, Redwing. It represents a regrouping after Raitt’s loss of both parents, her brother and her best friend, and was inspired by her own struggle to reclaim the private life she’d given to her music, as well as the larger American crisis of the current recession. Produced mostly by Raitt herself, with four outstanding tracks helmed by master of atmospherics Joe Henry, it’s warmly contemporary, while still strongly rooted in the blues moods and techniques that Raitt has always treasured.
Slipstream provides plenty of the many-sided adult-contemporary pop that made Raitt a huge star in the late 1980s with hits like “Something to Talk About.” Chosen with Raitt’s usual impeccable taste from the cream of her songwriting circle (including Randall Bramblett, Paul Brady and Al Anderson), the bulk of Slipstream serves Raitt’s lifelong project of expressing how blues idioms apply to the life of the modern woman. There’s a reggae take on Gerry Rafferty‘s yacht-rock favorite “Right Down the Line;” Bramblett’s “Used to Rule the World,” a sidelong glance at the American Dream that Sharon Jones would love; an almost Western ballad about fame and drugs, “Marriage Made in Hollywood” (Brady’s original sounds more Irish); and Anderson and Bonnie Bishop’s perfectly despondent “Not Cause I Wanted To,” a modern rambling-woman’s blues that allows Raitt to demonstrate her unmatchable gift for making regret beautiful.
In all of these songs and more, the production sounds clean and intimate, while the guitars — Raitt’s, Anderson’s and tourmate George Marinelli’s — take up as much room as the vocals. This is a plus. Raitt’s chops are subtly honed and her responsiveness to her bandmates turns Slipstream into a rewarding group dialogue. The talk gets most serious, though, in the four songs Henry produced, three of which also feature electric Zen masters Bill Frisell and Greg Leisz.
It’s simply a thrill to hear Raitt in her element, exchanging guitar licks and lines with Frisell and Leisz. Two Bob Dylan covers, both culled from 1997’s Time Out of Mind, allow the musicians to wax cinematic on basic blues forms. Henry’s own “You Can’t Fail Me Now,” co-written with Loudon Wainwright III for the soundtrack to Knocked Up, gains a gospel flavor here. This is preservation as quiet, personally driven innovation, with new shades of meaning shot through familiar phrases.
In these evocative moments and throughout Slipstream, Raitt and her fellow players never break a sweat about fitting in with current pop trends; they’re doing what they love, and it’s utterly relevant because it represents their well-considered lives. Raitt’s gift for expressing emotions on a real, human scale is what makes her so beloved. On Slipstream, she takes on some of the hardest, and she doesn’t fail us now.
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Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail. I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada