Review: Bonnie Raitt at Clowes Hall The well-traveled singer/songwriter brought her brand of country-blues to Clowes Hall for a slick, cool performance.
Bonnie Raitt Clowes Memorial Hall Wednesday, May 16
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
Bonnie Raitt at Clowes Memorial Hall of Butler University – Indianapolis IN Wednesday, May 16 2012
In the middle of Bonnie Raitt’s well executed set of country-blues numbers Wednesday night at Butler University’s Clowes Hall, she paused to recognize a 15-year-old girl in the audience whom had somehow come to Raitt’s attention for her budding guitar prowess.
“Keep at it girl,” said Raitt “We need more women in rock like you.”
Indeed, a journey-woman like Raitt is a rarity in the music world. While Springsteen, Clapton, Petty and Dylan have seemingly been granted lifelong relevancy regardless of the quality of their music, she-folkies like that of Raitt (i.e. Joni Mitchell, Joan Baez and even Melissa Ethridge) have evaporated from sight or released music on a label owned by Starbucks (the revolution will be caffeinated).
But Raitt’s newest album Slipstream, released earlier this year, is the ginger-haired guitarist’s sixteenth record, but more importantly, is her first release on her new record label Redwing. The record isn’t necessarily a rebirth, but more a rejuvenation.
And it was that same sense of rejuvenation which helped to make her two-hour set so slick, cool and professional.
Raitt began the evening with “Used to Rule the World,” the opening track off the new record, which served as a pleasant warm-up for her and her band of expert musicians including keyboardist Mike Finnigan, drummer Ricky Fataar, bassist James Hutchinson and guitarist George Marinelli.
From there she continued with more material from Slipstream including a cover of Gerry Rafferty’s “Right Down the Line,” a subdued blues ditty, and Bob Dylan’s “Million Miles” where Raitt swapped Dylan’s smoky bar-band vibe for a more seductively haunted tone.
But aside from covers and new material, Raitt also delivered the classics.
“This one pays for the bus,” she said before tearing into “Something To Talk About,” Raitt’s popular, Grammy-winning song. Where she was more than content to let the boys in her band take over solo duties throughout much of the night, here Raitt took center stage with one of her customary bottleneck slide solos.
Other highlights from the night included “That’s Just Love Sneakin’ Up On You,” a semi-funk song made more muscular by Finnegan’s keyboard chop and “Split Decision,” an uptempo blues swing about men an woman not getting along.
“It’s what helps me have a job after all these years,” Raitt said jokingly.
As the evening progressed, Raitt would stop to give thanks to those who have supported her throughout her 40-year career. Be it songwriters, producers, inspirational figures, friends or Raitt’s mother, all were mentioned and all were paid tribute through song. Raitt herself became moved while performing the soft acoustics of “You Can’t Fail Me Now.”
But Raitt was by no means sappy. Rather she was simply thankful. The sappier moments of the evening belonged to opening act Marc Cohn, a singer-songwriter form Cleveland who is famous for the song “Walking in Memphis.” A well meaning guy with the voice of a more sentimental Warren Zevon and the melodramatic Americana of a Jackson Browne ballad, his lyrics told romanticized stories of yesteryear, including a song about two star crossed lovers falling in love in the time of the Kennedy’s and the eternal bliss of the 60s, or cruising in a roaring Thunderbird. Master of his own destiny.
His teary-eyed take on piano pop fit the mood for the evening, but where Cohn dealt exclusively in the past, Raitt, who isn’t immune to the same failings as Cohn, balanced living in the now, with an ever-present sense of gratitude to those who have guided her throughout her illustrious career.
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Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada
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