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Bonnie Raitt, Steve Earle, Taj Mahal and More Cover Iconic Prison Song on ‘Better Than Jail’ Benefit Album

on October 4, 2024 No comments

Better Than Jail, a new benefit album that contains a 12-track lineup of iconic prison song covers, was released today, Friday, Oct. 4. Bringing together a coveted assemblage of Americana, blues, and country artists, the tracklists shuffles classics from Merle Haggard “Sing Me Back Home,” “I Made the Prison Band”) Bob Dylan (“Hurricane,” “I Shall Be Released”), Lead Belly (“Midnight Special”), Bukka White (“Parchman Farm Blues), and more; intergenerational historical alignment from songwriters and modern-day performers that showcase the ongoing need to enact prison reform and reconsider the effectiveness of the correctional system. 

Contributing to the set, and aligning under the mission to raise awareness and support the imminent need to combat criminal justice reform, are Cedric Burnside, Hayes Carll & Allison Moorer, Bonnie Raitt, Jason Isbell and Amanda Shires, Lukas Nelson, Margo Price, Old Crow Medicine Show, Raul Malo, Silverada, Steve Earle, Taj Mahal, and The War and Treaty. Better Than Jail celebrates the rich musical legacy of choice pulls while supporting systematic change steeped in the mission: we can, and must, do better. Striking the LP’s charitable slant, proceeds will go toward Equal Justice USA and Free Hearts, a pair of organizations taking part in boot-on-the-ground work to generate thoughtful and effective change. 

In picking up the conversation that has percolated lyrically for decades, Price uses her pipes to retell Dylan’s story of Rubin “Hurricane” Carter, the wrongly accused boxer who faced racism leading to a false trial and triple murder conviction in 1967, “Here comes the story of the Hurricane/ The man the authorities came to blame/ For somethin’ that he never done/ Put in a prison cell, but one time he coulda been/ The champion of the world.” Raitt gives Leroy Carr’s “Prison Bound Blues” similar treatment, bringing listeners back to the lyrics: “When I had my trial baby, you could not be found/ When I had my trial baby, woooo, you could not be found/ So it’s too latе now, mistreating mama, I’m prison bound.”

I’m so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I’ve been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts.
~ Bonnie Raitt

Elsewhere on the compilation, Old Crow Medicine Show delivers Jimmie Rodgers’ “In the Jailhouse Now.” Commenting on the band’s involvement, Ketch Secor offered, “We are proud and truly humbled by the scope and magnitude of this project. Everyday life looks a whole lot different for the men and women behind bars, and,  with our inclusion in Better Than Jail we seek to ally ourselves with those organizations shining a light in prisons across the country.” He continued, “The quintessential track “In the Jailhouse Now’ is one of Country music’s most popular songs about the big house. During the global pandemic, prison activists – primarily wives, moms, and children of the incarcerated – gathered on the steps of our state capitol to demand a safer environment for inmates in Tennessee. We kept these family members in our hearts as we recorded this song.”

Scroll down to stream the LP now, and consider donating to Equal Justice USA and Free Hearts.

Better Than Jail Tracklist: 

  1. The War and Treaty – “County Jail Blues” (Originally by Big Marco)
  2. Steve Earle – “I Fought the Law” (Originally by The Crickets) 
  3. Bonnie Raitt – “Prison Bound Blues” (Originally by Leroy Carr) 
  4. Old Crow Medicine Show – “In the Jailhouse Now” (Originally by Jimmie Rodgers) 
  5. Hayes Carll & Allison Morer – “Sing Me Back Home” (Originally by Merle Haggard) 
  6. Margo Price – “Hurricane” (Originally by Bob Dylan) 
  7. Raul Malo – “Stripes” (Originally by Johnny Cash) 
  8. Lukas Nelson – “I Shall Be Released” (Originally by Bob Dylan) 
  9. Silverada – “I Made the Prison Band” (Originally by Merle Haggard) 
  10. Taj Mahal – “Midnight Special” (Originally by Led Belly) 
  11. Jason Isbell & Amanda Shires – “The Color of the Cloudy Day” 
  12. Cedric  Burnside – “Parchman Farm Blues” (Originally by Bukka White)

Source: © Copyright Jambands

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Bonnie Raitt heats up Paso Robles
Raitt stands out as a fresh, relevant artist

on September 20, 2024 No comments
By Colin Jones

– I’ve gone to hundreds of concerts since my first one in 1979 so 45 years later, you’re bound to get some repetition. But just because a musician has been around forever, it doesn’t make them a nostalgia act. Case in point: Bonnie Raitt, who recently performed a nearly sold-out show under a glorious full moon on a surprisingly chilly Wednesday night at Vina Robles.

Sure, there were classic hits from her early ’90s multi-platinum records, heartfelt covers, and sing-alongs but Raitt stands out as a fresh, relevant artist unlike many artists from rock’s heyday who are well past their prime.

It certainly helps too that she can do it all: write great songs, eloquently sing and tell stories, and play a mean lead guitar. It also helps that she has a tight-knit band, including former Beach Boys drummer Ricky Fataar, that’s been touring with her for decades.

Her 18-song set was varied and well-paced throughout the 105-minute performance, frequently paying homage to legendary songwriters John Prine (Angel from Montgomery) and J.D. Souther, who passed away this week as well as contemporaries like Michael McDonald.

Of course, there’s always a classic hit like ‘Thing Called Love’ that gets left out of the setlist to the dismay of some fanboys but Raitt’s passion and talent overcame any quibbles concertgoers may have felt.

Still, it’s always a good sign when they start playing a new song you’ve never heard before but 30 seconds in, you’re humming and swaying to the distinct rhythm and Raitt did just that with ‘Livin for the Ones’ from her most recent album.

It was also the first headliner concert I’ve attended in a while where photos and video were not allowed, forcing the audience to put their smartphones away. I think she did it for us more than her and the band.

Raitt also made a few references to recent world strife, the upcoming election and her involvement in protesting Diablo Canyon during the late 70’s No Nukes movement.

But most impressive was her appreciation for everyone and everything around her, always giving credit to others despite being the obvious centerpiece and star of the show. We’ve seen rock egos get out of control recently with REO Speedwagon and Jane’s Addiction abruptly ending their tours.

Raitt at 74 on the other hand, shows no signs of slowing down, lamenting the lockdown preventing her from doing what she was meant to do: hit the road and perform live in front of her many fans.

She’s back and we’re all much better off for it.


Source: © Copyright Paso Robles Daily News

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Bonnie Raitt Pays Homage To John Prine During Stirring Indio Show

on September 18, 2024 No comments
Josh Martin

Bonnie Raitt has been in the music business for more than half a century. But her status as a blues rock legend—with 13 Grammy Awards, an induction into the Rock & Roll Hall of Fame, and an honor from the Kennedy Center, among others—wasn’t always as destined as it now seems.

It took 18 years, nine albums, and one life-changing turn toward sobriety for Raitt to achieve true breakthrough success with 1989’s Nick of Time. That album, along with 1991’s Luck of the Draw and 1994’s Longing in Their Hearts, cemented her place in the cultural zeitgeist and, eventually, in just about every hallowed hall in which musicians might have their names etched.

Not that Bonnie is or has ever been one to rest on her laurels. Last year, she took home three Grammys, including “Song of the Year” for the title track from her latest release, Just Like That… (2022). All that on the heels of her Grammy Lifetime Achievement Award in 2022.

Nowadays, Bonnie is still touring, with her 75th birthday coming up in the fall. Rather than targeting huge arenas and amphitheaters in major American metropolises, she’s been taking her groundbreaking talents to more intimate venues, often within the vicinity of (but not always directly in) big cities.

Case in point: Bonnie and her band booked plenty of shows in California, but none in Los Angeles proper. Instead, after two nights at the 1,400-capacity Humphreys Concerts by the Bay in San Diego, they trekked out to the desert to delight fans inside the 3,700-seat Special Events Center at the Fantasy Springs Resort Casino in Indio. As Bonnie explained to the crowd, it’s venues like this, beyond the usual hustle and bustle, that allow her to “get loose” with her performance.

Personality-wise, she did just that. Before just about every song, the 74-year-old took time to share stories and musings about all manner of topics, from the song she was about to sing, to the state of the world at large.

After turning the page on an entertaining opening set by British blues artist James Hunter with her own “Longing In Their Hearts”, Bonnie bemoaned the upcoming election in the United States—an interesting stance, given her past and longtime political activism—en route to singing “God Was in the Water”. Prior to “Love Me Like a Man”, which occasioned an appearance by her acoustic guitar, she fired off some verbal shots at the recording industry for not paying artists their fair share of streaming royalties. By and large, though, Bonnie didn’t tread into controversy the way she might have in eras past.

She shared some thoughts about her five-plus decades in music and praised Mavis Staples for ticking along at the age of 85 as a lead-in to “Made Up Mind”, from her most recent album. That release got more play by way of “Blame It on Me”, but not before Bonnie riffed on the nuances of Fridays, Sundays, and weekends as a whole. Two songs from Nick of Time—”Love Letter” and the title track, on which Bonnie shared keys with Glenn Patscha—came amid birthday shoutouts to celebrants in the audience.

There were also some somber moments, as well as songs to accompany them.

She twice paid her respects to her friend and contemporary, the late John Prine: before “Angel of Montgomery”, which he wrote, and ahead of “Just in Time”, which she noted was inspired by the former. Toward the end of the main set, she put passion and power behind “Livin’ for the Ones”, a song about all the people lost during the COVID-19 pandemic, Prine included. To open the encore, she briefly eulogized Tom Campbell, the famed organizer of many a benefit concert who passed away this August, before bursting into the balladic “I Can’t Make You Love Me”.

At seemingly every turn, Bonnie went out of her way to commend the songwriters behind the tunes she brought to life. She namedropped John Hiatt before singing “No Business”, did the same for Zimbabwean musician Oliver Mtukudzi prior to performing his song “Hear Me, Lord”, and ended the main set with Irish songwriter Paul Brady’s “Steal Your Heart Away”. She even closed out the encore with a pair of covers: Michael McDonald’s “Matters of the Heart” and Talking Heads’ “Burning Down the House”.

The high point of the show, though, came midway through, when Bonnie, Glenn, guitarist Duke Levine, and the longtime rhythm section of James “Hutch” Hutchinson on bass and Ricky Fataar on drums combined on her seminal hit “Something to Talk About”. On that song, and every other one in the setlist, Bonnie showed off her superbly textured voice and precise skill on guitar, both of which showed little (if any) wear from her many decades in the business.

That same timeless talent will be on full display all across the U.S. for the next two and a half months. Find tickets on Ticketmaster. Check out a gallery of images from Bonnie Raitt in Indio courtesy of photographer Josh Martin and check out some fan-shot videos from the following night’s show in Costa Mesa.

Pacific Ampheater, Costa Mesa, CA 9-14-2024

Source: © Copyright Live For Live Music

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