NEW YORK — James Taylor might just be the happiest road warrior touring today, so what makes him happier?
Bringing on old friend Bonnie Raitt this summer for concerts that include the ultimate in Americana, some of the country’s most storied baseball parks.
“I’ve loved her music and her for a long, long time,” Taylor told The Associated Press in a recent interview. “I’ve interacted with Bonnie, and happily so, at numerous benefits for numerous causes — environmental, social, political causes — over the years. We’re very much in sync in that way. She’s an incredible giver.”
Among their stops will be Boston’s Fenway Park, where Taylor’s home-state team, the Red Sox, live and where Raitt last joined him on the road in 2015. And the first time? Well, that was back in 1970, when he invited the Harvard junior and budding blues singer, guitar player and songwriter onstage for a campus gig at Sanders Theatre after the two met through a mutual friend.
“I was nervous to play because I hadn’t really broken my chops in for concerts that much,” Raitt said by phone from Toronto while on a swing through Canada. “But I was so excited. It was an honor to be both at my school and opening for him. He couldn’t have been warmer and more friendly. It was intimidating to meet one of my heroes but he was just so down to earth.”
Raitt got her first recording contract and dropped out of school around that time. Though she was based on the West Coast and Taylor on the East, the two stayed in touch over the decades.
“The affection between us is so clear and so palpable. Our two bands love each other. James and I are both social activists and we’re really proud that a dollar of every ticket will be donated to various causes,” Raitt said.
The two haven’t worked up their sets yet but Raitt just may include Taylor’s 1968 “Rainy Day Man,” from his debut album and one of her all-time Taylor favorites, written by him and Zach Wiesner. It’s old-school Taylor, desperate and lonely, focused on making a dope connection soon after he tried opiates for the first time in real life, setting him on a 20-year path of addiction.
Raitt covered the song in 1974 on her “Streetlights” album.
“What good is that happy lie All you wanted from the start was to cry It looks like another fall Your good friends they don’t seem to help at all When you’re feeling kind of cold and small Just look up your rainy day man.”
“It’s so complex and deep as a point of view, especially for someone as young as James when he wrote it,” Raitt said. “He was so insightful and so deeply in touch with the inner workings and the darker side of the human soul and relationships, and so much of that point of view was so beautifully expressed in his music. That song just speaks to me and always has.”
The summer tour has the two working together for six weeks, kicking off July 6 at Prudential Center in Newark, New Jersey, and winding up at Fenway, Taylor’s third turn there, on Aug. 11. Nationals Park in Washington, D.C., Wrigley Field in Chicago and AT&T Park in San Francisco are among their other ballpark stops.
Taylor, 69, and Raitt, 67, will play hour sets, guesting for each other as well. Come fall, Taylor will come off the road, where he’s averaged about half of each year for the last three years, to begin work on a new studio album, this one a look back at his musical influences.
“I don’t have a release date. We haven’t started recording yet. Past experience has shown me that if you set a deadline you’re just setting yourself up for a fall. I’m not writing these songs. I’m looking at the songs that basically were the source for my musical education. The way I want to record them is just my guitar arrangements,” he said.
His last album of original material was in 2015, “Before This World,” some of which explored his road to recovery. The album didn’t come easy. He left the family, including twin teen boys, to hole up in Newport, Rhode Island, following a 13-year gap for release of new songs.
Raitt put out a studio album last year called “Dig in Deep” and generally works in five-year cycles for recording,
“It’s a lot more fun to be out here on the road playing than it is looking for ideas for a new record,” she said. “Some people enjoy writing and it’s always satisfying, but really the payoff for me is being able to travel around and make people happy every night, including me.”
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Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail. I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
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60 years anniversary celebration of Arhoolie
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
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Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada