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Bonnie Raitt’s New Morning
“I needed to take some time to sit down and fall apart,” singer-songwriter says

on February 26, 2016 No comments
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By Patrick Doyle

How the singer-songwriter overcame personal loss and made her first album with new songs in a decade

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“I love that double-time shit!” says Bonnie Raitt, grinning behind a piano. The singer-guitarist has just led her longtime band through a furious impromptu take on Ray Charles’ “Mess Around.” Raitt, 66, has a reputation as a tenacious perfectionist, but today at her rehearsal studio in North Hollywood, she’s loose and mischievous. At one point, she sets aside a sheet of lyrics for a new ballad to prove she doesn’t need them – but then breaks up laughing when she can’t remember the first line. “So much for losing the training wheels!” she says.

After practice, Raitt heads down a hallway deeper into the studio; there’s a chore she’s been meaning to get around to. Her guitar tech opens a big, musty locker packed with old instruments. “This is over 30 years of people laying guitars on us,” she says. She opens a case to reveal an acoustic Jackson Browne gave her, and another containing a guitar that belonged to songwriter Stephen Bruton, a close friend who died in 2009. “I’d been meaning to go through these for years and figure out whether to give them to charity, or what,” she says. “But then I moved away and my family got sick.”
Raitt is referring to a painful time that began with the deaths of her parents (she lost her mother in 2004, her father a year later); in 2009, her brother died after an eight-year battle with brain cancer.

“I was really depleted,” she says. “You go back and relive your relationships with those people, and when there’s multiple losses and illnesses, it can be almost overwhelming.”

After her brother’s death, Raitt, who tours year-round and plans her career in five-year stretches, told her band she was taking a year off. She started seeing a grief counselor and, for the first time since she hit the road in 1970, watched all four seasons change in her Marin County backyard.
“I needed to take some time to sit down and fall apart,” she says. That reflective period – and the joy she found when she returned to the road in 2011 – shaped Raitt’s new album, Dig in Deep, her first LP with newly written songs in more than a decade. “I have always felt so sorry that I couldn’t be a better this or that for my family members,” she says. “And I know they were probably just as sorry I couldn’t be what they would’ve liked me to be.”

Raitt has lived in Northern California since 1991, but she feels at home in L.A. She grew up on Mulholland Drive, not far from her rehearsal space, the daughter of actor John Raitt, who had lead roles in Carousel and Oklahoma! during the golden age of Broadway in the 1940s and 1950s. She fondly recalls hour-and-a-half school bus rides through the San Fernando Valley and attending Quaker meetings with her parents, whose love of music and social justice helped draw her to the blues: “It became an anomaly when I was 18 or 19 – people would say, ‘Isn’t this odd that a little redheaded daughter of a Broadway singer from Los Angeles is playing Robert Johnson songs?'”

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MUSICIANS ON MUSICIANS Bonnie Raitt & Brandi Carlile

on November 2, 2019 No comments
By Patrick Doyle

“She illuminated the path I could have,” Carlile says as she sits down with her hero for the first time. “She taught me I could lead and not apologize.”

On a recent L.A. afternoon, Brandi Carlile is talking about the moment when everything changed for her. It was the 2019 Grammys, when she played her ballad “The Joke” live and took home three awards. “I was 39, kind of an outlier underdog character,” says Carlile. That week, her sixth album, By the Way, I Forgive You, went to Number 22. She recently sold out Madison Square Garden. “I went on vacation, and never put down my phone,” she says of the award show’s aftermath. “I was obsessed.”

“I’ve been there,” says Bonnie Raitt, sitting across from her. In 1989, Raitt released her 10th album, Nick of Time. It sold more than 5 million copies and won the Grammy for Album of the Year, making her a superstar at age 40. “You’re in hyperspace after that,” Raitt says.

Hard-won success is only the beginning of the similarities between the two artists. In addition to building cult followings, both have used their music as a platform for activism. (Raitt has campaigned for clean energy, Native American rights, and more over the years; Carlile has raised money for kids affected by war and for imprisoned women.) “Bonnie illuminated the path I could have,” says Carlile.

Before the interview is over, Carlile has one request: “If you could just teach me one or two slide-guitar licks.” Raitt responds: “It would be my pleasure. I get so much acclaim for doing stuff that just sounds like ‘whooo,’ ” as she slides up an air guitar. Carlile is ecstatic: “You’ve got to be shitting me.”

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Brandi, how did you first hear Bonnie’s music?

CARLILE I remember singing “Something to Talk About” all the time as a kid. One of my most significant times was when I moved out of the house and in with my first girlfriend, Jessica. I was 17 and we were huge fans, and we wanted to go listen to you play and we couldn’t get a ticket, so we sat outside the fence and listened to your voice reverberate around Washington state. It was a big moment, a beautiful memory.

RAITT That is so sweet. I would have let you in if I had known. I’m gonna be a mess in this interview, because I’ve never been with anyone that talked about me before. I haven’t ever heard anyone say they were influenced by me.

CARLILE We get together and talk about you all the time. Do you ever hear yourself in my voice?

RAITT Well, I hear the attitude. I wish I could have the range and sing like you do. But if I could, I would sing like you.

CARLILE The song that speaks to me the most is “I Can’t Make You Love Me.” The empathy is just unbelievable. I feel really vulnerable when I sing it, in a way I’m not entirely comfortable with.

RAITT Is it because you’ve been through that situation yourself?

CARLILE I think it’s because I am not strong enough to go through that situation myself. So when I put myself there, I almost can’t handle the thought of being that person.

RAITT I’m so grateful for the writers that sent me that song. Every night, I’m reminded of being left when someone was not in love with me anymore. I think it was even worse to have to be the one to break somebody’s heart because you don’t love them anymore. I’ve been through both sides of that. I always dedicate it to someone going through a heartache. I’ve gotten letters from people saying, “I’ve never seen my husband cry except when you sing that song.” Now I’m gonna cry.

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Q&A: Bonnie Raitt
The singer talks songwriting, blues clubs and Thai food

on April 21, 1994 No comments
By Jancee Dunn
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We all think we know the story of Bonnie Raitt. Still, it’s hard to slap a label on her. She spent her formative years hanging out in smoky blues clubs, but she also attended Radcliffe College. She has the image of a tireless activist, a woman who would seemingly go to a benefit for dandruff victims; but she also has a bawdy sense of humor (as she proved just prior to the interview, she’s not above the occasional penis joke).

Raitt was more of an enigma at the inception of her career – more specifically, she couldn’t get arrested. Now we can’t shake her. With the release of her fine new album, Longing in Their Hearts, the follow-up to the quintuple-platinum Luck of the Draw (itself a follow-up to the quadruple-platinum Nick of Time), she is, once again, everywhere. Including here.

Your new album almost seems to be the third part of a trilogy.
To me, they’re progressive, because it’s my life. So I’m glad if it’s perceived that way.

Why did you choose the song “Longing in Their Hearts,” which your husband, Michael O’Keefe, wrote the lyrics for, as your album’s title?
There’s usually only one out of the batch. And then for the next couple of years, everyone will be using that as a pun in the first line of a review. “This came just in the nick of time,” you know, or “It’s more than the luck of the draw.”

When he wrote that tune, were you involved? Did he solicit your opinion?
He’s a poet anyway, so he writes poems and lyrics, and then I sort of read what he’s writing. The song he wrote on the last record [“One Part Be My Lover”], he wrote specifically to me, and then I sort of snuck around and put music to it without telling him.

When you were growing up, how much of an influence did musical theater have on you, since your dad was in theater? Are you a fan of show tunes, for instance?
I liked my dad’s shows – it was the family business. I didn’t spend a lot of time looking at other people’s shows, because I had a fair amount of loyalty to my dad. I didn’t see the film versions of Oklahoma! and Carousel, because my dad was in those roles – it seemed like being a traitor.

Do you remember the first time you saw a blues artist, when you used to sneak away at school to see them?
I saw Brownie McGhee and Sonny Terry at the Ashgrove, the local folk club. I took my dad, because I was only 14, and I couldn’t drive. He wore a turtleneck, and he had sideburns, because he was still playing Billy Bigelow [in Carousel], and it was really cool. I was hoping everybody would think he was my date.

Blues clubs can often be boys’ clubs. When’s the last time you were a victim of sexism in the music biz?
I haven’t been, but in 20 years there still aren’t any women executives in the record business to speak of. Men are reviewers and radio people, and women are still in publicity and public relations.

There aren’t a heck of a lot of female pop stars over 40. Why do you think this is?
First of all, there’s a lot of them.

Not of your caliber. Let’s face it, with record sales …
I don’t know, I don’t like the term pop star. But there’s a ton of famous women in the music business. In the generation before me, there’s Grace Slick, Joni Mitchell, Joan Baez, Judy Collins. Chrissie Hynde, Tina Weymouth, Laurie Anderson. We’re all still doing the same job. If you’re good, you get to keep doing it. If you’re not good, you won’t. I’m hoping I’ll be able to sing and play when I’m in my 80s.

Is there anyone whom you’re surprised to hear you’ve influenced?
There’s a mixture of rock and blues and folk and country that’s sort of all over the map, so it wouldn’t surprise me if a jazz singer said, “I really like your records.” Jackson Browne and myself went through eras where everybody’s kids hated us, and now they think we’re cool.

Have you been to the set of Roseanne to see your husband?
Well, it’d be pretty rude for me not to go. After all, he does come to my gigs. They’re a really wild group of people.

Have you ever been tapped for a movie role?
Yeah, I’ve been asked, but I just don’t have time. I might do it eventually.

You’ve been sober for years. Does it get harder or easier as time goes on?
Well, living is difficult, period. Being happy and serene and all that stuff doesn’t get necessarily any easier just ’cause you’re more mature – or sober.

How do you survive bad weddings when you’re sober?
I haven’t been to a bad wedding. I’ve only been to a few, but I get really gooey at them.

This year, there has been an inordinate amount of benefit shows. Do you think people are getting benefited out?
Every single year of my whole life in music, I’ve been asked the same question. To me, it’s part of the obligation. I personally don’t think there’s enough benefits.

But… but…
If a person says, “I’m sick of reading about benefits,” then think about where you’re own head’s at. It probably means you’re guilty because you didn’t give enough money away! I don’t mean you personally.

Sure. What do you wish you had more time to do?
I’d like to spend time visiting the sweet little towns in Wyoming and Washington and Oregon. But because of cable and movies and the way society is, there’s very few hicks, you know? Even the teen-agers in those towns watch Beavis and Butt-head.

Last question: What would be your last meal?
Thai food. When I got sober seven years ago, I also changed my diet, and it’s really affected my energy. I never get sick. … I’ve been healthy and less than healthy, and healthy’s much better. Less than healthy’s more fun, but healthy is better.


Source: © Copyright Rolling Stone

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