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Chris Stapleton, Bonnie Raitt Helm B.B. King Grammy Tribute
Pair trade vocals, solos with Gary Clark Jr. on aching performance of “The Thrill is Gone”

on February 16, 2016 No comments
By Jon Blistein
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Bonnie Raitt, Chris Stapleton and Gary Clark Jr.  helmed a six-string salute to blues great B.B. King with a performance of “The Thrill is Gone” at the 58th Grammy Awards Monday.

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The breakout country star and blues hotshot opened the performance, trading vocals, and, more importantly, solos, before Raitt sidled in between them with a devastating slide-guitar run. The trio then each sang a line of the song’s final verse and made one last trip across the fretboard to bring “The Thrill is Gone” to a mournful close.

Per the Los Angeles Times, Stapleton — country’s breakout star of 2015 — was tapped for the tribute after Grammy telecast executive producer Ken Ehrlich saw a video of the singer covering “The Thrill is Gone” on YouTube. Raitt was then added to the performance at Stapleton’s suggestion.

Bonnie Raitt performs onstage during The 58th GRAMMY Awards at Staples Center on February 15, 2016 in Los Angeles, California.
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Chris Stapleton, Bonnie Raitt and Gary Clark Jr. perform onstage during The 58th Grammy Awards at Staples Center on Feb. 15, 2016 in Los Angeles, Calif.
Bonnie Raitt performs a tribute to the late B.B. King onstage during The 58th GRAMMY Awards at Staples Center on February 15, 2016 in Los Angeles, California.
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King died last May at the age of 89. In a tribute penned for Rolling Stone, Raitt summed up the musician’s signature guitar style, which left an indelible mark across the musical spectrum: “Every great blues guitarist has his own style. But with B.B., it was about his vibrato, his phrasing and the licks he chose — and his restraint. It was all about what he played and what he didn’t play. He was sweet and eloquent in his playing, but when he turned it on, he could be fierce.”

Rock Me Baby Medley (B.B. King Tribute) – Joe Louis Walker/Guests – 1995 Kennedy Center Honors

GARY CLARK JR, BONNIE RAITT TALK ABOUT BB KING GRAMMY TRIBUTE

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Bonnie Raitt 10

Source: © Copyright Rolling Stone But wait, there's more!

Bonnie Raitt Remembers B.B. King: ‘He Was a God’
Singer-songwriter remembers her long friendship with the blues legend

on May 16, 2015 No comments
By David Browne

Blues guitarist B.B. King passed away Thursday at the age of 89. Here, Bonnie Raitt pays tribute to her friend, collaborator and inspiration.

B.B. was a god from the first time we all heard him. You listen to those early recordings with that cry in his voice, even as a young man. I still have the 45 of “Rock Me Baby” that I wore out playing when I was a teenager. I used to sit there and play it and move the needle back to the beginning and play it over and over. It’s so sexy and the groove is hellacious. A lot of people have covered that song, but that’s my favorite version. Every great blues guitarist has his own style. But with B.B., it was about his vibrato, his phrasing and the licks he chose — and his restraint. It was all about what he played and what he didn’t play. He was sweet and eloquent in his playing, but when he turned it on, he could be fierce.

© David Corio/Redferns/Getty
© David Corio/Redferns/Getty

My manager worked with Buddy Guy and Junior Wells, and B.B. was Buddy’s hero, so I got to go backstage and see B.B. when he was in and out of blues festivals. He was always very complimentary about my playing. He was always so gentle and humble and appreciative and he got a big kick out of the fact that all us young white kids got him. We became friends and later he would confide in me about his personal life and how he loved the ladies. To watch him backstage flirting with beautiful women was a delight. He loved his fans, but he enjoyed the company of kind and appreciative women. I always wished he’d had a steadfast and steady partner, but he was on the road so much. He could have retired years ago and cut his schedule back, but he told me he stayed on the road to be able to support his band and crew. He had a big band. I always wondered how he could afford it. He just worked all the time.

He was pretty happy, but I always wondered if he was a lonely guy. But I never asked him about that — I didn’t want to invade his space. He must have had some kind of pain in his life, but talk about overcoming whatever hardships he had.

When we recorded “Baby I Love You” [for the 1997 King duets album Deuces Wild], he had just played Dallas the night before and drove all night to get to the studio. He must have had two hours of sleep. But he was still such a champ. He was completely professional and said, “Whatever key you’d like.” He was so classy and so bold at the same time. He was an old-school Southern gentleman, but his playing was razor-sharp. I learned so much about dynamics from him.


Source: © Copyright Rolling Stone

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Bonnie Raitt Captivates in Chicago
Plays a mix of covers, old and new material for the first of two sold-out shows

on May 20, 2012 No comments
By Dan Hyman

“I should go away more often,” Bonnie Raitt told the hooting-and-hollering crowd at the Chicago Theatre on Saturday evening before unspooling a multi-song encore highlighted by the heart-wrenching 1991 ballad “I Can’t Make You Love Me.”  Raitt, of course, was referring to the two years she had spent away from the road – a break that ended earlier this month when she kicked off an 80-plus-show tour in Oklahoma. Judging by her admitted amazement at the Saturday crowd’s overwhelmingly positive reception, and the size and classiness of the venue, Raitt seems quite pleased to be back. “I’ll never forget this,” Raitt said. 

The ginger-topped singer’s time away from the stage was a definite change of pace; Raitt had been playing live shows for nearly four decades straight – or, more specifically, “18 album-cycles nonstop,” as she recently told Rolling Stone. But the downtime gave her the opportunity to cope with the deaths of her parents and her brother and to record Slipstream, her first album in seven years, the bulk of which was on prominent display at the first of two sold-out Chicago shows.

Raitt’s new tunes fit snugly into her incredibly expansive catalog of hits that have consistently displayed a natural knack for pop, blues and jazz sensibilities – and, of course, a wicked mastery of the slide-guitar. Raitt’s new material was tight and polished on Saturday. After opening with the melodic strut of “Used To Rule The World,” Raitt unleashed the first of a handful of cover songs that popped up throughout the evening with the slinky reggae groove of her take on Gerry Rafferty’s 1978 gem “Right Down The Line.” Later, after removing her signature slide, now armed with a Taylor acoustic, Raitt serenaded the crowd with a spare rendition of “Million Miles,” a Bob Dylan deep-cut off 1997’s Time Out Of Mind, an album Raitt explained she was especially fond of.

Raitt has always split the difference between electric blues fantasy, pop-rock and acoustic ballads. Saturday was no different: several times she careened from a bluesy strut (“Love Sneaking Up On You,” “Love Letter”) to a pop nugget (“Something To Talk About”) or an understated lullaby (“Not Cause I Wanted To”).

It did take some time, however, for Raitt to find her groove; For the first third of the show she appeared slightly terse and rigid. But the visibly evident trust and adoration she has for her four-piece band – guitarist George Marinelli, keyboardist Mike Finnigan, bassist “Hutch” Hutchinson, and drummer Ricky Fataar – allowed the singer to loosen up as the show progressed. Raitt even eased up so much as to unleash some humor (she joked that jazz music is when a band guesses the key a song is in) and pause several times for a lipstick-application break. At times, Raitt, wearing black jeans and a blazer bedazzled with purple arrows pointing to both her head and heart, got downright giddy. For the final song of the night, she brought out opening act, Marc Cohn, and his guitarist to aid in the group-hug that was Van Morrison’s “Crazy Love,” during which she and Cohn, both wearing massive smiles, slow-danced during a musical interlude.

It was a pleasure to see Raitt in good spirits. But it was the night’s heaviest moment that resonated the most. “I’m at that age where parents start going and people are sick,” Raitt said quietly, before breaking into an achingly beautiful rendition of the 1971 John Prine classic “Angel From Montgomery,” which she dedicated to her late mother. “I don’t take anything for granted anymore.”

Set List:

“Used To Rule The World”

“Right Down The Line”

“Something To Talk About”

“Million Miles”

“You Can’t Fail Me Now”

“Love Sneaking Up On You”

“Come To Me”

“Marriage Made in Hollywood”

“Ain’t Gonna Let You Go”

“Not Cause I Wanted To”

“Angel From Montgomery”

“Down To You”

“Love Letter”

“I Feel So Damn Good (I’ll Be Glad When I Get the Blues)”

“I Can’t Make You Love Me”

“Nick of Time”

“Crazy Love”


Source: © Copyright Rolling Stone

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