The Birthday Celebration for Sippie Wallace Friday night at the Michigan Theatre was a festive occasion for everyone, including the anxious audience.
The evening began with Jim Dapogny and his Chicago Blues Band. The opening number, “At the Jazz Band Ball,” set the ball in motion. The crowd was noticeably ready for some real jazz and blues, and the lineup did not disappoint.
Dr. John teased the audience by failing to appear on cue. It may have been unplanned, but the delay increased their anticipation. When he finally ambied onto the stage, the crowd roared. He satisfied their expectations with a raspy vocal version of “Such a Night.” He accompanied himself with a nlmble-flngered piano that was hard to beat. On his next number, Dr. John was joined by a set of bongos for a stirring rendition of “Right Place, Wrong Time.”
The slight-of-build young woman that was next on the impressive blues bill was Bonnie Raitt. It took a few minutes to recognize her, however. Gone were the long tresses and faded blue jeans. On this birthday night Bonnie debuted a new visual image: shortly cropped hair, shocking pink tights, a sky blue elf-like mini skirt, and black leather boots. Something changed outside, but it was the same old blues-belter Bonnie on the inside. She commented on her appearance when she told the audience, “The Plasmatlcs gave us a run for the money yesterday, so I thought I’d dress like her (Wendy O Williams) so you guys won’t feel like you’ve missed anything.”
Well, this crowd didn’t miss anything from Bonnie. She began with a heartfelt song of her own, “Love Has No Pride.” Then there was wild applause for “I’d Give Anything to See You Again.” When she announced “This song’s for Sippie,” everyone roared. Bonnie did Justice to a Sippie cover, “Special Delivery.” It was “one of the first songs I ever heard Sippie sing,’’ Bonnie recalled.
Finally, it was time for the birthday girl. After 84 years, Sippie still knows how to shout a song. Clad in a white gown and cowboy hat, Sippie stood by Jim Dapogny’s piano and belted, “Why Don’t You Come Over to My House Baby, Ain’t Nobody Home But Me.” Her strong voice reverberated the auditorium and made her loyal followers scream with joy.
The “Texas Nightingale” did everything but shirp. Her style almost made you feel as though you were in a small blues dive somewhere, listening to Sippie sing just to you. Her slinky, sultry version of “I Want You and I Need You,” drove the crowd into hysterics. Sippie was singing the blues; real heart-warming blues. For the last few songs, Sippie was joined by the entire lineup. She sang a duet with Bonnie, “Don’t Advertise Your Man.” Young and old finally came together, and the blues will never be the same.
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Bonnie Raitt performs “Me and the Boys” with The Bump Band, chats with Dave, is later joined by Sippie Wallace, who then performs “Women Be Wise” with Bonnie and Dr. John. Sippie tends to sing “shit” instead of “shout,” and it’s not edited out of the broadcast – Late Night with David Letterman – April 27, 1982
Sippie Wallace With Jim Dapogny’s Chicago Jazz Band And Special Guest Appearance By Bonnie Raitt – Sippie (1982, Vinyl)
View credits, reviews, tracks and shop for the 1982 Vinyl release of “Sippie” on Discogs.
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Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada