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Bonnie Raitt, Taj Mahal let the good times roll at the Greek

on September 12, 2009 No comments
Bonnie Raitt, Taj Mahal let the good times roll at the Greek
by Pedro Larsen

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As the third set of the night got underway, Bonnie Raitt and Taj Mahal, two old friends who’d never before toured together, prowled the Greek Theatre stage, playfully sassing each other.

“Tramp!” the flame-haired Raitt purred, or maybe growled, at her partner on this summer outing they’ve named The BonTaj Roulet, a play on the old Louisiana French phrase for “Let the good times roll!”

“What you say?” Taj Mahal hollered back in pop-eyed mock indignation.

“Trr-ramp!”

“Listen here, little red mama! All the women up in here tonight know big daddy is a lover!”

And with that, Bonnie and Taj and their combined bands jumped into a feisty version of Slim Harpo’s “Baby, Scratch My Back.”

It was a typically smile-inducing moment in a night that provided many, as for 30 songs and nearly three hours Friday the pair offered up a wide-ranging night of the rootsy, blues-based songs both Raitt and Mahal long have championed.

Taj opened with a set of covers and originals that felt right at home with the New Orleans music-hall décor of the stage.

An R&B instrumental that gave each of the guys in his Phantom Blues Band a chance to shine segued into the slinky groove of “Diddy Wah Diddy” and the Fats Domino romp “Hey Josephine,” both which found Mahal in fine, gravelly voice.

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From there the set followed a similar pattern: a song of his own such as “Farther on Down the Road,” a soul-blues number into which he poured plenty of emotion, then a good-time blues classic such as “Annie Mae,” which gave him an opportunity to show off his fine chops on acoustic guitar.

“Oh, yeah, babies, grandpa can rock!” he hollered at the end of the instrumental “Seven Eleven,” and with “EZ Rider” he rocked it even more, the 67-year-old bluesman dance-stepping with plenty of energy as he and the band wrapped up their set.

As much as the crowd loved Taj, when Raitt arrived after a brief intermission it was clear that she had at least a slight edge in the amount of fans that filled most of the Greek.

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BonTaj Roulet Blazes New Ground Raising Green for Greens

on September 3, 2009 No comments

by Harvey Wasserman
Author, ‘SOLARTOPIA! Our Green-Powered Earth’

In a tough economy, with music lovers thinking twice before going to see their favorite acts, the 34-date BonTaj Roulet Tour by Bonnie Raitt and Taj Mahal is blazing new green ground in raising money for charities. So far it’s collected over $100,000 for environmental and other causes. It could add that much again before the final show on September 25 at Rancho Mirage, California.

The tour features a unique pairing that cuts across rock and blues barriers…and a whole lot more. With strong reviews and healthy ticket sales on an otherwise rough summer for the music business, the tour is also laying the groundwork for a new mix in the magic art of using commercial concerts to raise funds for green and other causes.

According to Kathy Kane, Bonnie Raitt’s manager, “the artists are giving, the concert goers are giving and the ticketing agencies are giving, along with some key venues and promoters.” Among the collaborators are Ticketmaster, Live Nation Ticketing, and Musictoday. “Not every venue and promoter is contributing,” says Kane, “but many are trying, and every venue and promoter has worked with us to make this happen.”

A 25-cent contribution added to the price of each ticket is matched with a 25-cent contribution from the artists. The funds are distributed to causes in proportion to votes tallied through the BonTaj Roulet tour website. Visitors to the website can choose between “safe & sustainable energy,” “environmental protection,” “social justice & human rights” and “blues/music education.” “The funds will be given to nonprofit organizations across the country,” says Kane. “If safe and sustainable energy received 23% of the votes then groups working on safe and sustainable energy will receive 23% of the funds being granted.”

The mix of contributions from promoters/venues and ticketing agencies with matching funds from artists and concertgoers, distributed by popular vote, is a new recipe for concert tour fundraising, says Kane. Many of the dates also feature VIP Charity Action Fund gatherings where donors get special seats and meet with the artists after the show. “Perhaps what makes this unique is the collaborative effort coming from different entities involved in putting on a concert. This way, everyone is contributing to raise funds out of their resources, not just the artist or the fans,”says Kane.

Of the 34 dates on the tour, 31 venues participated in the fundraising effort, she adds, with two choosing to support other causes of their own.

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Taj Mahal and Raitt rip up Red Butte with the blues

on September 3, 2009 No comments
by Arthur Raymond

Red Butte Garden Amphitheater, Sept. 1

R&B grande dame Bonnie Raitt rolled into Salt Lake Tuesday night and hosted a rip-roarin’ blues revue that brought out the best of the Red Butte Garden Ampitheatre and felt like the biggest—and most awesome—backyard party of the summer.

The packed-to-the-gills garden venue was the perfect setting for a night of familiar tunes, and even the ever-present, wine-and-cheese set got loose enough to get up and shake it.

Raitt delivered a solid, at times even transcendental, set of hits and blues classics, keeping the 2,500-plus in attendance on their feet throughout the show.

Besides a voice that continues to deliver at every level, Raitt’s guitar prowess kept pace with her band of all-stars, and she ripped off a smokin’ and extended slide-heavy solo on the break of her take on “Your Good Thing (Is About To End).” Raitt offered thanks to ’60s Stax Records artist Mable Jones, who made the song penned by soulmasters Isaac Hayes and David Porter a hit.

Taj Mahal and his Phantom Blues Band got things going Tuesday night, and instead of just warming up the crowd, got the audience into a state of smolder before Raitt took the stage. Taj was back early in Raitt’s set and sat down to do a couple of blues numbers with her — trading guitar licks and a little lowdown vocal repartee. The two are in the midst of doing 30-plus concert dates together, and Raitt said while she and Taj are longtime friends, it was the first time they shared a tour bill.

Raitt came back with her band and banged out the John Prine tune “Angel From Montgomery,” recorded on her 1974 album, “Streetlights” and followed that with the hit “I Will Not Be Broken” from 2005’s “Souls Alike.”

Among the biggest crowd-pleasers was a fairly straight-up version of “Something To Talk About.” The smash from 1991 is possibly Raitt’s best known tune from the multi-platinum “Luck Of The Draw” album.

In a show of musical solidarity, and love of the blues, Raitt, her band, and Taj and his Phantoms, all took the stage together for a final blowout set of classics, including Taj’s “She Caught The Caty” that had the whole place smilin’ and dancin’ til the lights went out.


Source: © Copyright Deseret News

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