Picture this scenario: You’re 11 years old, from Jersey City, and can’t afford a guitar. Your teacher brings you and six classmates to the New Jersey Performing Arts Center (NJPAC), a jewel of a theater in the middle of Newark, to meet blues legends Bonnie Raitt and Taj Mahal. You pull out the brand-new, custom Fender® acoustic guitar that was just gifted to you and relinquish it to Taj, who tunes it, plays a funky riff, and hands it back. All you can do is look at your friend with wide eyes and say, “Taj Mahal just played my guitar!”
That is the sentiment that could be seen on the face of one of the seven fortunate students from P.S. 29 who received an exclusive pre-concert performance from the two rockstars at the show’s soundcheck. The duo is in the middle of a tour called BonTaj Roulet, which is raising funds and awareness for various charities.
Bonnie’s guitar sizzled while Taj blew the blues on his harp. Her fiery red hair and smooth singing complimented his cool straw hat and booming, raspy voice. They came down off the stage after introducing their bands and answered questions from the aspiring rock ‘n’ rollers.
“These are some of the best questions I’ve ever been asked,” Taj said as he looked at Bonnie, who nodded in agreement. “Do you want to take this one?”
“Sure,” she responded, and explained to the children that, yes, she does sometimes get homesick while touring, and no, she didn’t get to where she is without putting in hours upon hours of hard work.
Bonnie and Taj continued to provide answers and anecdotes to the kids, who clutched the new acoustic guitars with which Little Kids Rock surprised them. They were amazed to find out that they were the first people in the world to own the ESC-80 educational model Fender® acoustic guitar, which was custom-made for Little Kids Rock.
In the lobby, with their new guitars in hand and a camera pointed their way, the Little Kids Rock guitar class from Jersey City huddled around Taj, who emitted an aura of cool, and Bonnie, whose flowing, red hair with the signature white stripe was the picture’s centerpiece.
Several fans snapped pictures from outside, reminding Bonnie and Taj that their scheduled performance was rapidly approaching, and they had yet to eat dinner. However, they told the kids to line up so that they could each get an individual photo with the pair before they left to perform for several thousand fans.
“Keep playing,” Bonnie said as she headed backstage. “You’ll get here one day.”
Bonnie Raitt told the kids at Spring Valley Elementary about learning guitar when she was 8 years old. Her hands weren’t large enough to span the fretboard and make an F chord, so she learned to do it with her thumb.
“Tell Bonnie what we call the F chord,” said their guitar teacher, Laura Chinn-Smoot.
“The ouch chord,” a couple of dozen young public school guitar students said in unison.
Raitt inveigled her old pal Tom Waits to join her on piano and sing a duet of “Sweet and Shiny Eyes,” a song they knew from touring together a few years back when Jerry Ford was still president. Former Metallica bassist Jason Newsted, currently playing with Ozzy Osbourne, picked up his bass, and Norton Buffalo added a little harmonica.
They were all sitting in a circle in the Russian Hill school cafeteria Tuesday afternoon, swapping songs with the music students, beneficiaries of a program called Little Kids Rock that brings music instruction to elementary schools in four states. While TV news, radio reporters and photographers recorded the session, Little Kids Rock Executive Director David Wish, a former Redwood City second-grade teacher, led the second-, third-, fourth- and fifth- graders in writing a song, while the professional rock musicians backed them up.
With the hit film “School of Rock” giving the idea of grade schoolers playing music a little precious currency, Wish pulled together some of his celebrity supporters to capitalize on his opportunity. Wish, frustrated with the lack of musical education in the school’s official curriculum, started giving free after-school guitar lessons to Redwood City students in 1996, and the Little Kids Rock idea grew from there. For the past two years, he has devoted full time to his burgeoning nonprofit. He puts out a CD every year of songs written and performed by the Little Kids Rock youngsters.
The musicians listened and applauded as the students performed a few songs, the young guitarists strumming strongly, the voices melding in that way only grade school choral groups can. When Raitt and Buffalo started jamming a shuffle, Wish grabbed a guitar and walked around showing the kids what chords to play.
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The musicians all talked about how they started playing music and offered the students advice. Buffalo said his father played harmonica and his mother was a singer. Newsted, who got his first guitar for Christmas at age 9, switched to playing bass after he saw Kiss. He also described the kind of heavy metal he plays as “lots of real loud ouch chords.”
Newsted is no stranger to the Little Kids Rock program. Last April, he hosted a large group of students at a recording session at the Plant Studio in Sausalito, where he produced rock band Voivod performing one of the songs from the Little Kids Rock CDs.
Austin Willacy of hip-hop a cappella group the House Jacks encouraged the students to play instruments. “I have learned that if you sing and don’t play in a band, you don’t get heard,” he said.
Tom Waits allowed that trumpet was his first instrument and that playing bugle for the Cub Scouts was his first gig. He also recalled his first piano, a trashed upright that had been left out in the rain and was given to him even though many of the keys no longer worked.
“I was fine with that, though,” he said. “I just played the ones that were working. I used to make up little songs when I was angry or sad. I’m still doing that.”
Waits, who has children of his own, told the kids he didn’t remember how many movies he made. “I write songs for movies, too,” he said. “They’re supposed to make the movies better, but sometimes you just can’t save them.”
Raitt also encouraged the students to take lessons and do the practice. “I’m real glad I took five years of piano lessons,” she said. “Look what happened — I don’t have to work a regular job.”
ROLL OVER, BEETHOVEN — THESE LITTLE KIDS WANT TO ROCK OUT
Delfin Vigil – Sunday, March 20, 2005
Some day the Rock and Roll Hall of Fame may need to add a new wing – – for the Redwood City sound.
It all started in 1996, when David Wish, a frustrated second-grade teacher at Hawes Elementary School in Redwood City, decided to teach schoolchildren how to play music.
What began as a weekly after-school guitar class for his second-graders quickly expanded to sessions every day. Soon it seemed nearly every kid in the school wanted to pick up an instrument.
Nearly 10 years later, Wish is the director of Little Kids Rock, a nonprofit organization that brings free music lessons and instruments to more than 4,000 students in low-income areas in four states. By next year, Little Kids Rock hopes to release a CD of songs written by students and recorded and performed by celebrity musicians such as Tom Waits, Norton Buffalo and members of Metallica, all of whom have appeared at schools and jammed with the kids.
Wish, who now lives in New Jersey, is having a Bay Area homecoming party for Little Kids Rock and a celebration of Music in Our Schools Month on Wednesday at the Mighty club in San Francisco, headlined by ’70s soap star- turned-rocker Rick Springfield.
Thanks to stars like Springfield, who donate their time and money, Little Kids Rock expects to double the number of participating students by next year.
“Back in Redwood City in 1996, we maxed out on instruments for the kids pretty quickly,” says Wish, a jazz guitarist. “Then Carlos Santana gave us a $5,000 Milagro grant. It seemed like all the money in the world, and I thought we’d never have to buy guitars again.”
Wish has since expanded the program to teaching drums, bass and keyboards. The reasons, he says, are obvious.
“If you took a Martian from outer space and had him listen to the radio and asked him what kind of music children are learning to play in schools, he’d tell you bass, keyboards, drums and guitar, right? But he’d be wrong. So where are all these kids who grow up to play that kind of music getting their musical education?”
Wish says he uses the internationally known Suzuki Method, which he blends with the Rolling Stones and Dr. Seuss.
“The Suzuki Method is a set of methodologies that says anyone and everyone can play music if taught properly — by ear, not by reading,” Wish says. “Suzuki says that classical music is not the domain of the gifted. Little Kids Rock does the same thing, but is open to pop music — punk, heavy metal, folk, whatever. It’s still rock ‘n’ roll to me.”
Rather than picking up chords from their older siblings or copying riffs from the dude at the guitar shop, kids ought to be learning popular music in school, Wish says.
“California is ranked last for access to arts education,” he says. “Think about that. You’re talking states like … well, let’s just say states with far fewer resources trounce California in musical education.”
Besides the obvious budget cuts, Wish believes that a big reason kids don’t learn music in school is because they associate “educational” music — classical and marching — as being kind of boring.
“I believe it’s better to let them get to the good stuff first, as opposed to being confined to 17 years of classical piano,” Wish says.
So when students say they want to learn how to play Shaggy, Ricky Martin or Britney Spears, Wish makes a trip to iTunes and invariably comes back with just three necessary chords.
“Take Beethoven’s Ninth Symphony,” Wish says, explaining his argument against the few who frown upon his approach. “It’s two chords: D and A. Do you realize how many songs are structured around only D and A? When you teach a kid how to play a Selena song that is D and A, you’re also teaching them to play Beethoven’s Ninth Symphony. You’re teaching them to play. Period.”
LITTLE KIDS ROCK: The next benefit, starring Rick Springfield, takes place from 6:30 to 9 p.m. Wednesday at the Mighty, 119 Utah St., San Francisco. 100. (973) 746-8248, www.littlekidsrock.org.
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Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada