BIRMINGHAM, Ala. (WIAT) — She gave Birmingham something to talk about.

On Wednesday night, a day after the 10-time Grammy winner turned 73, Bonnie Raitt brought the blues to the Magic City. And she brought a lot more, too.

During the show, Raitt and her band showcased their decades of experience, performing numbers from across the musical spectrum — from Bob Dylan’s “Million Miles” to Talking Heads’ “Burning Down the House” — with a funk and fervor made all the more enjoyable by Raitt’s sultry, experienced vocal.

Raitt and her band performed in front of a simple cloud backdrop, but dramatic colored lighting made the staging seem dynamic. For “Nick of Time,” Raitt switched from her guitar (played expertly with a slide) to a keyboard, the clouds behind her shifting to a deep, intimate purple as she sang the story of a woman “scared to run out of time.”

The crowd, which nearly filled the BJCC’s concert hall to capacity, adored Raitt.

“Angel from Montgomery,” one woman yelled from the crowd midway through the concert.

“I already sang that one,” Raitt said as the audience laughed. “Maybe she’s just calling me an angel from Montgomery.”

Early on, Raitt referenced the midterm elections, which — like her birthday — had taken place the day before her Birmingham performance. She was glad she wouldn’t have to see any more political ads on television, she said.

“Imagine what that money could’ve gone to,” Raitt said. “I turned off the TV yesterday. That was my birthday present.”

Still, issues of the day simmered to the surface throughout the night.

For the duration of her performances, a Ukrainian flag sat on stage not far behind Raitt.

“They will need our help for a long time,” Raitt said. “So let’s help take care of them.”

Raitt also emphasized the need to fight to protect the environment, at one point in the concert plugging local advocacy group GASP, the Greater Birmingham Alliance to Stop Pollution, which tabled in the concert hall’s lobby.

GASP’s executive director Michael Hansen said he grew up in Memphis listening to artists like Bonnie Raitt. Her mention of the advocacy organization, he said, provided the group exposure to folks they may not necessarily have been able to reach without her help.

“I’m over the moon about it,” Hansen said. “She’s a music legend and an advocate for environmental causes, racial justice, and so many things we care about. So being there and knowing she talked about our work from the stage is amazing.

More than once during Wednesday’s show, Raitt spoke about the loss of fellow singer-songwriter John Prine, who died in 2020.

“It was one of the greatest pains of my life,” she said of Prine’s death. Then, with the audience on the edges of their seats, Raitt performed “Angel from Montgomery,” a song Prine had written and she had elevated to the highest of musical heights. Some in the crowd wept.

“It was an honor to sing that in Alabama,” she said.

Prine, she explained, had a way of writing with authenticity from another person’s perspective. It was something she’d always admired. She thought of Prine when she wrote “Just Like That,” she told the crowd.

She’d seen a human interest story on the evening news — “They show those to make up for everything they just told you” — about a mother who went to meet the man who’d received her son’s heart through organ donation. The story moved her. She channeled Prine, she said, and wrote “Just Like That.” BJCC’s concert hall was silent as she sang the ballad.

“I lay my head upon his chest,” she sang. “And I was with my boy again.”

The crowd at the BJCC was most excited, of course, when Raitt sang her hits, including “Let’s Give ‘Em Something to Talk About” and “I Can’t Make You Love Me,” which came as her first encore.

But it was Raitt’s calm, experienced musicality that made Wednesday night’s Birmingham performance special. Whether a blues number, a steady-rocking cover, or a straight-to-the-heart ballad, Raitt’s performances only got better. And that’s something to talk about.

About The Author

Lee Hedgepeth

Lee Hedgepeth is a digital investigative reporter at CBS 42.

Lee grew up in Grand Bay, Alabama, a small town in south Mobile County. Lee holds a bachelor’s degree in political science from the University of South Alabama, as well as master’s degrees in journalism and political development from the University of Alabama and Tulane University, respectively.

An experienced political journalist, Lee has worked for outlets including Alabama Political Reporter, Lagniappe Weekly, and the Anniston Star, covering events ranging from impeachments to executions. His work has been cited by outlets like the New York Times and US News and World Report.

• Facebook
• Twitter

No one, particularly from her generation, sings the words “rock me, baby” quite like Bonnie Raitt. It’s more like private pillow talk rather than a song lyric.

When she uttered that line, at least a handful of times, at the Orpheum Theatre on Sunday, she exuded the same sly sensuality that has been key to her broad appeal since she first emerged in the early 1970s.

It was a homecoming of sorts for Raitt, who lived in the area in the late ’60s when she attended Radcliffe College, and old times were clearly on her mind.

“I got so much history in this place [that] I’m grinning from ear to ear,” she told the sold-out crowd by way of introduction before easing into a two-hour set that was loose and limber enough to survey most of her long career.

Raitt turned 64 recently, a fact that she noted as a point of pride, and she’s starting to wear her age as a badge of hard-won honor. The older Raitt who sang Chris Smither’s “Love Me Like a Man,” raunchy and smoldering at the same time, brought more pathos to that acoustic blues number than she could have mustered as a young woman.

The same could be said of her performance of “I Can’t Make You Love Me.” A signature ballad for her, by now it could be a rote staple in her repertoire; instead, she imbued it with an elegiac sense of loss, like a torch singer after last call at the bar. She began “Angel From Montgomery,” dedicated to her mother’s memory, as an a cappella hymn that sent shivers down the spine.

Moving seamlessly between tearjerkers and stomping rockers, she was highly attuned to her band members, each of whom — guitarist George Marinelli, bassist James “Hutch” Hutchinson, drummer Ricky Fataar, and organ player Mike Finnigan — added vibrant color and contrasts to Raitt’s work on slide guitar.

She also got by with a little help from her friends, including Marc Cohn, who sang Van Morrison’s “Crazy Love” as a duet with Raitt and also opened the show with a set of stately piano pop. Raitt also brought out Bonnie Hayes, the head of the songwriting department at Berklee College of Music, and they took turns singing “Have a Heart,” which Hayes wrote.

They all took a final bow with Raitt, who glowed like she had just spent the past two hours doing exactly what she wanted. By her own admission, she had.

“We love our jobs, and we’re not suited for anything else,” she had joked earlier in the evening.

James Reed can be reached at james.reed@globe.com. Follow him on Twitter @GlobeJamesReed.