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Mississippi Fred McDowell Blues Trail Marker

on May 8, 2009 No comments

Bonnie Raitt attends Fred McDowell honor

Candice Ludlow – WKNO – 2009-05-08

Very Happy and emotional reunion of sorts, Dick Waterman and Bonnie Raitt, back in Como, Mississippi to honor their old friend Mississippi Fred McDowell
Very Happy and emotional reunion of sorts, Dick Waterman and Bonnie Raitt, back in Como, Mississippi to honor their old friend Mississippi Fred McDowell

The Mississippi Blues Trail Marker honoring Mississippi Fred McDowell was unveiled Thursday in Como, Mississippi. Candice Ludlow has more.

That’s the music of Mississippi Fred McDowell. Notice the resonating slide sound?

Como is where Mississippi Fred McDowell called home. It’s located 45 miles south of Memphis along Highway 55.

Mississippi Fred McDowell was born and raised in Rossville, TN, just outside of Memphis in the early 1900’s. He learned to play slide guitar from his father’s cousin who used a steak bone to slide along the frets as he played. Later, Mississippi Fred McDowell used a bottleneck slide.

Dick Waterman was McDowell’s manager during the 60s.

“He represents what’s called the hill country style. There’s the delta style of Charlie Patton, Son House, Robert Johnson, Muddy Waters and that type that went up to Chicago. There’s a hill country style that comes from Fred. It’s really most prevalent in Como, Senatobia, Holly Springs,”

Dick Waterman said.

It was sweltering hot on Main Street, a two-lane road through town with brick storefronts. Approximately 200 people were fanning their faces as the dedication began with students from a local high school playing and singing one of Mississippi Fred McDowell’s songs.

Grammy award winning singer-songwriter Bonnie Raitt made a special appearance at the dedication for her mentor.

“Well, he was one of the first blues artists that I got to meet, and I fell in love with his music from the first time I heard it on record. To have the honor and privilege to be able to be friends and tour with him in my early career was a gift I think like no other. His style of slide playing and his rhythm playing influenced me tremendously. I don’t know why we hit it off so much, but we just loved each other very much. It was a big loss when he passed when I was only 22, so it means a lot to me to be able to be here today.”
“Well, I’m so happy to hear that they’re doing this blues trail with 150 markers, elevating the music of blues and culture to the rest of the world. It’s been long overdue. Mississippi Fred McDowell is a giant in blues and there are so many other people that deserve that attention,”

Raitt said.

  • Dick Waterman and Bonnie Raitt, his friend and former client, at the 2009 unveiling of a commemorative marker honoring musician Mississippi Fred McDowell.
    by Scott Barretta
  • Bonnie Raitt, Hubert Sumlin, Como Mayor Judy Sumner.
    by Tony Lax
  • Very Happy and emotional reunion of sorts, Dick Waterman and Bonnie Raitt, back in Como, Mississippi to honor their old friend Mississippi Fred McDowell.
  • Bonnie Raitt and Hubert Sumlin at the Mississippi Fred McDowell Blues Marker 05/07/2009
    by Art Tipaldi
  • Dick Waterman – Rev. John Wilkins – Bonnie Raitt 05/07/2009
    by Cindy Neal
  • The Mississippi Blues Trail, created by the Mississippi Blues Commission, is a project to place interpretive markers at notable historical blues sites throughout Mississippi. The trail extends from southern Mississippi and winds its way to Memphis, Tennessee. In Como is one such marker honoring the late “Mississippi Fred” McDowell, renowned for his bottle-neck style of playing the guitar and for his soulful singing of “Highway 61” and other blues classics. On Thursday, May 7, 2009 , a handsome Blues Marker was installed on Como’s Main Street median across from Como City Hall.
    by Cindy Neal
  • Dick Waterman and Bonnie Raitt, his friend and former client, at the 2009 unveiling of a commemorative marker honoring musician Mississippi Fred McDowell
    by Ebet Roberts /Redferns/Getty Images
  • Rev. John Wilkins, Alex Thomas, Bonnie Raitt, Hubert Sumlin
  • Melody Cummings
    by Tony Lax
  • Morris Cummings
    by Tony Lax
  • RL Boyce
    by Tony Lax
  • Ricky Stevens
    by Tony Lax
  • Rev, John Wilkins / Bonnie Raitt
    by Tony Lax
  • Rev, John Wilkins / Bonnie Raitt
    by Tony Lax
  • Rev, John Wilkins / Bonnie Raitt
    by Tony Lax
  • Bonnie Raitt / Hubert Sumlin
    by Tony Lax
  • Dick Waterman
  • Nathaniel Warren
    by Tony Lax
  • RL Boyce
    by Tony Lax
  • Fred McDowell’s family
  • Bonnie Raitt and Fred McDowell’s family.
    by Tony Lax
  • Fred’s family presenting Bonnie Raitt with a home made basket and flowers.
    by Tony Lax
  • Basket of flowers presentation.
  • Bonnie Raitt
    by Tony Lax
  • Daddy Mack
    by Tony Lax
  • Bonnie and Hubert
    by Tony Lax
  • Bonnie, Hubert & Watermelon Slim
    by Tony Lax
  • Bonnie and Hubert
    by Tony Lax
  • Bonnie and Hubert
    by Tony Lax
  • Rev. John Wilkins, Bonnie Raitt & Como Mayor Judy Sumner
    by Tony Lax
  • Cinda & Dick Waterman
    by Tony Lax
  • Cinda & Dick Waterman
    by Tony Lax
  • Blues Marker
    by Tony Lax
  • BlackOak Slim
    by Tony Lax
  • Dick Waterman / Ronnie Williams
  • Dick Waterman
  • Dick Waterman
    by Tony Lax
  • Dick Waterman
    by Tony Lax
  • Dick Waterman / Tony Lax
    by Tony Lax
  • Tony
  • by Tony Lax
  • by Tony Lax
  • Fred McDowell Marker
    by Tony Lax
  • “Mississippi” Fred McDowell Blues Trail Marker – Rear
    by Tony Lax
  • “Mississippi” Fred McDowell Blues Trail Marker – Rear
  • “Mississippi” Fred McDowell Blues Trail Marker – Rear
  • Como Mississippi Water Tower
  • by Tony Lax
  • Mississippi Fred McDowell’s grave in Panola County, Mississippi (outside Como)
  • Mississippi Fred McDowell’s head stone in Hammond Hill Missionary Baptist Church Cemetary, Como, Ms.
    by Tony Lax
  • Back of Mississippi Fred McDowell’s head stone.Lyrics to his best known song, also covered by the Rolling Stones.
  • Mississippi Fred McDowell’s head stone in Hammond Hill Missionary Baptist Church Cemetary, Como, Ms.
    by Tony Lax
  • This is a marker that has been up several years in Fred McDowell’s hometown of Rossville, Tn. There is a discrepancy on the date of his birth and death between this marker and his grave stone which was purchased in 1994 by a donation from Bonnie Raitt. I think a trip to the court house may be in order to clear this up but I believe the information on the grave stone is most correct. His original grave stone is currently at the Delta Blues Museum in Clarksdale, Ms.
    by Tony Lax

Photo’s © by Tony Lax

Eventually, there will be 150 Blues Trail Markers throughout Mississippi and in states connected with the blues from Mississippi. The first three blues trail markers were unveiled in 2006 in Holly Ridge, Greenville and Greenwood. The first Mississippi Blues Trail marker to be placed out of state was done so today at Third and Beale.

Shows Mississippi blues singer, Fred Mc Dowell, singing and talking about his blues. Includes scenes of the area which helped to shape his country blues.
Blues Maker – by Univ Of Mississippi – Published 1969

For WKNO News, I’m Candice Ludlow in Como, Mississippi. © Copyright 2009, WKNO


Source: © Copyright WKNO 91.1FM

Mississippi Fred McDowell

Como, Mississippi
Como, Mississippi

McDowell was born in Rossville, Tennessee, near Memphis. His parents, who were farmers, died when McDowell was a youth. He started playing guitar at the age of 14 and played at dances around Rossville. Wanting a change from ploughing fields, he moved to Memphis in 1926 where he worked in a number of jobs and played music for tips. He settled in Como, Mississippi, about 40 miles south of Memphis, in 1940 or 1941, and worked steadily as a farmer, continuing to perform music at dances, and picnics. Initially he played slide guitar using a pocket knife and then a slide made from a beef rib bone, later switching to a glass slide for its clearer sound. He played with the slide on his ring finger.

While commonly lumped together with ‘Delta Blues singers,’ McDowell actually may be considered the first of the bluesmen from the ‘North Mississippi’ region – parallel to, but somewhat east of the Delta region – to achieve widespread recognition for his work. A version of the state’s signature musical form somewhat closer in structure to its African roots (often eschewing the chord change for the hypnotic effect of the droning, single chord vamp), the North Mississippi style (or at least its aesthetic) may be heard to have been carried on in the music of such figures as Junior Kimbrough and R. L. Burnside; as well as the jam band The North Mississippi Allstars, while serving as the original impetus behind creation of the Fat Possum record label out of Oxford, Mississippi.

The 1950s brought a rising interest in blues music and folk music in the United States, and McDowell was brought to wider public attention, beginning when he was discovered and recorded in 1959 by Alan Lomax and Shirley Collins.[1] McDowell’s recordings were popular, and he performed often at festivals and clubs. McDowell continued to perform blues in the North Mississippi blues style much as he had for decades, but he sometimes performed on electric guitar rather than acoustic. While he famously declared “I do not play no rock and roll,” McDowell was not averse to associating with many younger rock musicians: He coached Bonnie Raitt on slide guitar technique, and was reportedly flattered by The Rolling Stones’ rather straightforward, authentic version of his “You Gotta Move” on their 1971 Sticky Fingers album.

McDowell’s 1969 album I Do Not Play No Rock ‘N’ Roll was his first featuring electric guitar. It features parts of an interview in which he discusses the origins of the blues and the nature of love. (This interview was sampled and mixed into a song, also titled “I Do Not Play No Rock ‘N’ Roll” by Dangerman in 1999.) McDowell’s final album, Live in New York (Oblivion Records), was a concert performance from November 1971 at the Village Gaslight, Greenwich Village, New York.

Mississippi Fred McDowell's grave in Panola County, Mississippi (outside Como)
Mississippi Fred McDowell’s grave in Panola County, Mississippi (outside Como)

McDowell died of cancer in 1972, and was buried at Hammond Hill Baptist Church, between Como and Senatobia. On August 6, 1993 a memorial was placed on his grave site by the Mt. Zion Memorial Fund. The ceremony was presided over by Dick Waterman, and the memorial with McDowell’s portrait upon it was paid for by Bonnie Raitt, Dick Waterman (agent)and Chris Strachwitz (Arhoolie Records). The memorial stone was a replacement for an inaccurate and damaged marker (McDowell’s name was misspelled) and the original stone was subsequently donated by McDowell’s family to the Delta Blues Museum in Clarksdale, Mississippi.


Source: © Copyright Wikipedia

Singer Bonnie Raitt to Attend Como Blues Trail Celebration

by Martha F. T. Garrison

Thursday, May 7 will be a very special day in Como. That’s when the town will become an official destination on the Mississippi Blues Trail. In an afternoon ceremony starting at 2, on the median of Como’s Main Street across from City Hall, a handsome blues marker honoring the late Mississippi Fred McDowell will be unveiled. Singer Bonnie Raitt, who credits Fred McDowell as having exerted a major influence upon her music, is one of the guests who’ll travel to McDowell’s hometown for this ceremony. After the unveiling, guests can stroll a short way down Main Street to hear live music and enjoy refreshments in the town’s public library and its adjacent Memorial Garden.

Features of the 2 p.m. unveiling ceremony on the median include performances by a group of 11th and 12th graders, who will sing McDowell songs. These young members of a jazz stage band and a jazz choir will travel to Como from their Columbus, MS boarding school, the Mississippi School for Mathematics and Science. These bright young people hail from various towns all over the state. Additionally, the “Como Mamas” group will sing several gospel selections. Representatives from two Como-area churches – Hunter’s Chapel, where McDowell often attended and sang, and Hammond Hill Baptist, where he is buried – will say the invocation and the benediction. Several of the late musician’s relatives and friends will be introduced at the Ceremony.

Following the unveiling ceremony, the reception in the public library and Garden will offer guests a chance to meet McDowell’s kinfolk and hear live music by the following performers: Nathaniel Warren of Texas, who’ll play and sing several McDowell numbers; R. L. Boyce & the Como Breakdown, a well-known bluesy band; and singer Mary Ann “Action” Jackson. Organizers of the concert and reception are Como’s librarian Melba Major, Como resident Beverly Findley, and several other volunteers. The reception and concert are funded by the library and the Como Civic Club. Margaret Logan, Jo Anne Billingsley, and various other members of the Como Garden Club will create the fresh flower arrangements to decorate both the library and the Garden.

McDowell’s blues marker will permanently grace Como’s Main Street median, and it will have information about him on one side, and a map of the entire Mississippi Blues Trail on its other side. The Chairwoman of the Como Historic Preservation Commission, Meg Bartlett, assisted by her fellow Commissioners, worked extensively with the Mississippi Development Authority in preparing for the placement and unveiling of the marker.

Noted blues expert, Professor Scott Barretta, host of the Mississippi Public Radio blues-music program, Highway 61, describes McDowell as follows: “Mississippi Fred McDowell is widely viewed by blues aficionados as the most talented artist of his generation to be “discovered” during the blues revival of the late ’50s and ’60s. McDowell moved to Como, Mississippi around 1940, and performed widely around the region, influencing local bluesmen, including R.L. Burnside. In the wake of his discovery by folklorist Alan Lomax in 1959, McDowell began performing on the festival and coffeehouse circuits including the Newport Folk Festival in 1964. McDowell’s slide guitar playing had already influenced young white artists, notably Bonnie Raitt, and in 1971 the Rolling Stones covered McDowell’s version of the gospel standard “You’ve Got to Move” on their album ‘Sticky Fingers.’ “

As musicians from all over the world know, Mississippi is synonymous with blues. “The repertoire of any blues or rock band is full of songs, guitar licks, and vocal inflections borrowed from Mississippi bluesmen…,” says a Blues Trail publication. No matter where you go in this state, you are never far from the home, birthplace, or burial ground of some famous blues artist. Besides Como, other Mississippi locations which are, or soon will be, on the Mississippi Blues Trail map include Walls (Memphis Minnie), Berclair (B.B. King), McComb (Bo Diddley), Holly Springs (R. L. Burnside and Junior Kimbrough), Meridian (Jimmy Rodgers), and Vicksburg (the Red Tops). Many other Mississippi communities will have markers honoring such blues greats as Jelly Roll Morton, Pine Top Perkins, Muddy Waters, Howlin’ Wolf, Son House, and Robert Johnson. (For more information about the Mississippi Blues Trail, visit www.msbluestrail.org.)

In case of rain on May 7, the Como festivities will take place at 211 Main. The Como Historic Preservation Commission extends a cordial invitation to all – and especially to Mississippians, Memphians, and other Mid-Southerners – to come to Como to pay tribute to Mississippi Fred McDowell, and to celebrate this region’s rich musical heritage. To find out more about the Como celebration, call (662) 526-5283.

Blues Trail markers and the entire Blues Trail project are made possible by funding from the National Endowment for the Arts, the National Endowment for the Humanities, the Mississippi Department of Transportation, the Federal Highway Administration, the Mississippi Development Authority/Tourism Division, and local contributions. Como’s marker honoring Fred McDowell received substantial local funding from the Panola Partnership, Inc., located in Batesville.


Info:
Mississippi Blues Trail Markers
Mississippi Blues Trail on Facebook But wait, there's more!

Bonnie is a bluesman

on April 6, 2008 No comments
by Fred Seibert

“Mississippi” Fred McDowell and Bonnie Raitt sittin’ in at The Philadelphia Folk Festival 1970.

I showed up to record Fred McDowell at the Village Gaslight on the afternoon of November 5, 1971, set up the mikes and recorder, and settled in for the first act around 9pm. A young woman with an acoustic guitar and an electric bassist started in, and my mouth dropped.

“Who’s she?” I asked my partner, and Fred’s bassist, Tom Pomposello. She was this rocker’s perfect marriage of the blues with a pop sheen.

“Another client of Dick’s,” he told me. Dick Waterman, friend of the blues, had discovered Bonnie up in Cambridge, became her manager, and had signed her to Warner Bros. Wow! What a singer, what a guitarist, what an act. I couldn’t wait for her records. Freebo (her bass player) and Bonnie never quite lived up to that night for me. The records were lackluster (Give It Up came closest to the magic the two of them had), and it took until Don Was to capture her perfectly (but without dependable Freebo).

Bonnie was loyal to Fred McDowell forever. She recorded his songs and never failed to mention how he taught and influenced her music. Bonnie is bluesman, then and now.

Bonnie Raitt – Gaslight NY – Billboard Nov. 20, 1971
Gaslight Café, NYC Greenwich Village 1958-1971
Gaslight Café, NYC Greenwich Village 1958-1971

Mississippi Fred McDowell > Live in New York


Source: © Copyright The Oblivion Records Blog But wait, there's more!

The Blues Have Changed Her Life

on April 3, 1980 No comments
By Michael Kilgore – Tribune Staff Writer

Bonnie Raitt, who turned from folk to blues when she discovered the genre, says she’s ready to move toward Southern sounds, away from the Los Angeles music scene.

If the blues hadn’t come along, Bonnie Raitt might well have ended up as another flower-power folkie like Judy Collins, rather than the gutsy purveyor of the styles of Fred McDowell and Mississippi John Hurt.

Raitt, the slide-guitar-playing daughter of Broadway star John Raitt, was a fan of Collins and Joan Baez until somebody gave her an album of blues at Newport when she was 13 or 14 years old.

It literally changed her life.

“It had Brownie and Sonny, John Lee Hooker, Dave Van Ronk,” Raitt said in a suprisingly bright voice. Blues players ought to talk like closing time in a bar, but Raitt has just a touch of rasp in her voice, and her sentences trail off into soft obilivion.

“We were in the middle of the so-called folk revival and the blues were getting a lot of attention … people like Son House, John Hurt, Fred McDowell … it just struck me like a gong.”

After listening to the album and others like it, she began playing blues instead of folk. She no longer wanted to be Judy Collins.

At 18 or 19, she ran into Son House and Arthur Crudup and others and received further education in the heritage that is the blues.

“A lot of people think I didn’t learn about the blues until I met them (in my late teens),” Raitt says. “But I listened to the albums. I still have that (Newport) record, as a matter of fact.”


Raitt may be the best-known white female interpreter of the blues, which for others would be a dubious distinction. For Raitt, who doesn’t particularly care for labels, it’s merely one description of what she does, and she considers her musical direction to be constantly changing.


“I’ve always liked soul music better than white rock… a couple of purists think that I’m selling out if I don’t stick to a strict country-blues style … to my so-called roots … But you can only do so many shuffles in E before they get to be tiring.”

She says her musical direction may be changing even now.

“I’d like to move toward the South and away from Los Angeles,” she says. “I’m a real big fan of (Texas r&b’er) Delbert McClinton. I’m trying to get away from the same circle of friends in California. It’s getting very limiting anyway with everybody — Linda, Emmylou, Jennifer Warnes, Karla — all drawing from the same circle of songwriters. The way to get around that is to emphasize the things that are different.”

She says she’s particularly fond of the music from Tulsa and Fort Worth, so maybe you’ll soon hear Raitt singing “A Mess of Blues,” a song off McClinton’s last album.

Finding material is an important part of the creative process when you write as little as Raitt does. She admits her talent is not primarily as a songwriter.

But she helped find fledgling talent like Jackson Browne and Eric (“Love Has No Pride”) Kaz when they were unknown songwriters.

“On the last album, I wrote one song” she says, perhaps a touch defensively. “If I find, a subject I wanna talk about, I write … Jackson and I have a real good connection because he seems to say what I would say — if I could write better.”

Raitt has a rough sweetness about her, certainly not a woman to be trifled with, but not cold and unapproachable, either. No L.A. angel, Raitt has spunk, fire and, yes, earthy sexiness to her. Enough so that a DJ recently asked her, to her dismay, “Hey, what’s it like to be a sex symbol?” She parodies that style with painful accuracy.

Raitt still shows a refreshing innocence, an endearing quality in light of her occasionally bawdy lyrics, particularly those on songs by her “sassy grandmother,” Sippie Wallace.

With Wallace, Raitt returned a small payment on her blues debt. Influenced by that Newport album, Raitt played a tribute to Fred McDowell at the Ann Arbor Jazz and Blues Festival in 1972, and joined Wallace on “Women Be Wise,” which Wallace wrote in 1929.

Wallace’s songs, and Raitt’s interpretations of those and others, go over just fine in an era of stronger women and the “revelations” that women have all the same emotions men have been singing about all these years, that is, lust and pride and hard-edged jealousy.

With unshy lyrics, Raitt says she might “give a hint on how to strike my flint” on “You Got To Know How,” and on another song her outside lover is so good he’s “About To Make Me Leave Home.”

Raitt is still working on her film about Wallace, trying to raise the money independently. Just before her last trip to Tampa in December 1977, she took Wallace to Baton Rouge and the Kingfish Club for some filming.

Bonnie Raitt made a special effort to form powerful relationships with many blues legends including Sippie Wallace as pictured here – 1979 © Thomas Weschler

“I feel a great responsiblity to spread what these people were doing instead of just getting it through me. Eighty-two (Wallace’s age) is not a time you should be waiting around for something like that….”

Raitt pays tribute to her mentors in other ways, too, including touring with blues masters like Muddy Waters. But, recently, Raitt has become depressed when she realizes how many original bluesmen are no longer around.

“I’ve watched six, seven of my dear friends die,” she says. “It’s so depressing to me… Someday I’m gonna have to lecture at black high schools on what kind of style Fred McDowell had.”

That’s not the kind of tribute Raitt would prefer to pay. She’d much rather audiences turned on to the original blues artists, but she knows that’s getting harder and harder, that age and ill health have taken their toll on the roster of blues greats.

Once Raitt starts talking about Hurt and McDowell and Waters, she abandons her casual conversational tone, and begins talking in a concerned rush. Then she pauses and laughs a little at herself.

“I’m sorry, I got on a roll there,” she says, not taking any of the meaning back. “It’s just been a long time since I talked about any of this stuff….

“… Every single time you run through a town, somebody else has died….”

Someone in the background tells her there’s a sound check in 15 minutes.

Raitt is asked about her involvement with the all-star, Musicians United for Safe Energy (MUSE) concerts in New York and her own growing active anti-nuclear stance.

“It’s a real important part of my life,” she says. “I spend my afternoons doing interviews talking about it … It’s changed my lifestyle. You can’t devote as much time to your music … So, I would say it’s equally as important as my music.

“My life in general is more satisfying because it involves something I believe in.”

Despite that, Raitt has no plans to record a no-nukes song.

“I find it very hard to stomach the political music over the past 10 years … it seemed to turn off more people than it turned on … with the exception of John and Johanna’s Hall’s ‘Power.’

“I would like to say the (MUSE) film will be coming out in August. On April 2, I’ll be in New York for the final edit of the film. We’re all producing it together.

“We’ve picked a real important issue. We try to bait them (audiences) into the concerts, and maybe they’ll learn something besides. It would be great….”

Whatever she does, concerts or political statements, Raitt brings her particular style to it; she has the ability to raunch it up with the boys and not be vulgar. She maintains her class.

Before she goes to the sound check, Raitt again returns to the deaths of blues players.

“Don’t make it sound like I’m depressed all the time,” she says, “I just got started talking about that. I DO have a good time.”

Bonnie Raitt will be in concert tonight at 8 at the Tampa Jai Alai Fronton. Christopher Cross will open. Tickets are $6.50 and $7.50.


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