As any concertgoer who has watched James Taylor perform at Tanglewood over the course of his four-decade relationship with the venue may know all too well, it isn’t truly summer in the Berkshires until “JT” comes to town.
The renowned singer, songwriter and arguably the Berkshires’ most vocal fan returned to Tanglewood’s Koussevitzky Music Shed on Monday and Tuesday night for what has developed into an annual tradition, with a pair of Fouth of July shows offering up his biggest hits alongside new surprises.
Appearing onstage with his customary newsboy cap, Taylor would lead concertgoers on a two-hour journey across a half century-long discography while wearing many different hats at once – both figuratively and literally.
Taylor would kick off his July 4 show with the cap tipped slightly forward, sitting on a stool at the front and center of the stage for a rendition of the Star Spangled Banner before easing his way into some of his biggest hits, including “Carolina In My Mind” and “Country Road.”
With his longtime “All Star” band in tow – featuring a list of A-list session musicians such as drummer Steve Gadd and guitarist Michael Landau alongside longtime fan-favorites Lou Marini on saxophone and Arnold McCuller on backing vocals – Taylor would gradually evolve from guitarist to bandleader over the course of his first hour-long set, a role the visibly grateful singer welcomed with open arms.
Songs such as “First of May” and “October Road” would find Taylor’s typically gentle acoustic guitar taking a back seat to deliciously dynamic rhythmic interplay between Gadd and percussionist Luis Conte while solos courtesy of Landau and others would find Taylor taking his hat off entirely to “cool off” his bandmates, each of whom Taylor gave ample amounts of spotlight during the show.
LENOX — At some point during his Tanglewood shows on Monday and Tuesday night, James Taylor will bring on a surprise guest to share the spotlight before a capacity crowd of about 18,000 ardent fans.
Singer-songwriter Bonnie Raitt, an old friend of Taylor’s since they first performed together in Cambridge in 1970 when she was a Harvard junior and a newly minted blues singer, is a natural for a joint appearance, since they are about to launch a six-week national tour of 17 cities, including several baseball stadiums. They’ll be returning to Fenway Park for Taylor’s third annual appearance there — Raitt joined him in 2015.
At Tanglewood, “we’ll do a tune or two of hers, a tune or two of mine, it’s a simple guest spot,” said Taylor in a wide-ranging interview this week.
A limited number of tickets were available for the 8 p.m. shows on Monday and Tuesday, as of Saturday morning. The Independence Day performance, with proceeds donated back to Tanglewood by James and Kim Taylor, is followed by the annual fireworks show over Stockbridge Bowl.
Recalling her first gig with Taylor 47 years ago, Raitt said in an Associated Press interview, “I was nervous to play because I hadn’t really broken my chops in for concerts that much. But I was so excited. It was an honor to be both at my school and opening for him. He couldn’t have been warmer and more friendly. It was intimidating to meet one of my heroes, but he was just so down to earth.”
About to make his 25th set of appearances at the Boston Symphony’s summer home since his debut there in 1974 with Linda Ronstadt as the opening act, Taylor emphasized that “Tanglewood has been this incredible part of my professional life.”
Since the turn of the century, he has returned annually, with rare exceptions, and he credits his wife, Kim — a former BSO executive and current trustee — “for opening my eyes to Tanglewood and bringing me back here. It’s a great connection, one of the best things that’s ever happened to me.”
With keen anticipation, he discussed the upcoming tour, which begins Thursday at the Prudential Center in Newark, N.J.
“I’ve been aware of Bonnie and her music since she started,” he said. “She was an early musical friend since we performed together on Martha’s Vineyard in those great days when it was a destination for artists and intellectuals who wanted a cheap vacation. I’ve been eager to play with her some more since that first show at Fenway.”
This week, Taylor and Raitt have been rehearsing at the 17,000-seat Times Union Center in Albany, N.Y., which can accommodate the elaborate staging needed for the large arenas and stadiums where they’ll be performing, including Nationals Park in Washington, D.C., Wrigley Field in Chicago and AT&T Park in San Francisco. The tour ends at Fenway on Aug. 11.
Tanglewood audiences will get a sample of their vocal collaboration because, as Taylor pointed out, “it doesn’t have room for the staging we’ll be taking around the country, since it’s primarily an acoustic musical house.”
Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.
Bonnie has contributed a new recording of "Prison Bound Blues" written by Leroy Carr to a project called Better Than Jail, an extraordinary new album benefiting Free Hearts and Equal Justice USA. Better Than Jail is available everywhere today and features covers of iconic prison songs from Steve Earle, Taj Mahal,Margo Price, The War and Treaty and many more. The album seeks to raise awareness and support for the urgent need to reduce the harm of the criminal justice system. https://found.ee/BetterThanJail.
I'm so proud to have joined in with so many illustrious artists in creating this very special album in support of rural prison reform. Overlooked for far too long, this issue cuts across all cultural and political divides and deserves all our focused attention to finally bring about some swift and meaningful action. Better Than Jail is one of the most inspired and heartfelt albums I've been blessed to be a part of and I hope it sets a fire in hearts far and wide to join in our efforts." ~ Bonnie Raitt
Released on: 2024-10-04 Executive Producer: Brian Hunt Producer: Kenny Greenberg Producer: Wally Wilson Producer: Bonnie Raitt Recording Engineer: Jason Lehning at Sound Emporium Mastering Engineer: Alex McCollough at True East Mastering Production Assistant: Shannon Finnegan Mixer: Justin Niebank at Hounds Ear Music Publisher: Universal Music Corp. Composer, Lyricist: Leroy Carr ℗ Believe Entertainment Group and Wyatt Road Records
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The Fabulous Thunderbirds - Nothing in Rambling Ft. Bonnie Raitt, Taj Mahal, Keb' Mo' & Mick Fleetwood
In celebration of the band’s 50th Anniversary, The Fabulous Thunderbirds have just released Struck Down, their first studio album in eight years on Stony Plain Records. The ten-track album includes a wonderful cover of Memphis Minnie’s “Nothing in Rambling,” featuring longtime friends, T-Birds founding member Kim Wilson, along with Bonnie, Keb’ Mo’, Taj Mahal and Mick Fleetwood. — BRHQ
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Little Feat - Long Distance Call
“I’ve always loved Little Feat and this new incarnation of the band is bringing some serious heat, cred and new blood to their enduring legacy. Every Feat fan loves us some Sam. I’m so glad he’s now gotten a chance to step out front and center and put his spin on these wonderful blues songs. I loved singing "Long Distance Call" with him, always one of my favorites, and Scott slayed on slide. Know you’ll enjoy hanging out with us at Sam’s Place!" -- Bonnie Raitt
“Long Distance Call” was written by blues legend, Muddy Waters. It has Sam Clayton and Bonnie Raitt on vocals, Scott Sharrard on Dobro, Fred Tackett on acoustic guitar, Tony Leone on drums, and Michael “The Bull” LoBue on harmonica. The album also features Bill Payne on piano and Kenny Gradney on bass.
Little Feat have composed an album that’s their love letter to the blues entitled, ‘Sam’s Place.’ “Long Distance Call” plus many other blues classics are on this album. You can stream and order ‘Sam’s Place’ here: https://orcd.co/samsplace
Broken Hearts & Dirty Windows: Songs of John Prine, Vol. 2, the anticipated new John Prine tribute record from Oh Boy Records, is out today. Stream/purchase HERE.
Created as a celebration of Prine’s life and career, the album features new renditions of some of Prine’s most beloved songs performed by Brandi Carlile (“I Remember Everything”), Tyler Childers (“Yes I Guess They Oughta Name A Drink After You”), Iris DeMent (“One Red Rose”), Emmylou Harris (“Hello In There”), Jason Isbell (“Souvenirs”), Valerie June (“Summer’s End”), Margo Price (“Sweet Revenge”), Bonnie Raitt (“Angel From Montgomery”), Nathaniel Rateliff & The Night Sweats (“Pretty Good”), Amanda Shires (“Saddle in the Rain”), Sturgill Simpson(“Paradise”) and John Paul White (“Sam Stone”). Proceeds from the album will benefit twelve different non-profit organizations, one selected by each of the featured artists.
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Bonnie Raitt - Write Me a Few of Your Lines/Kokomo Blues
60 years anniversary celebration of Arhoolie
December 10, 2020
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Arhoolie Foundation celebrates it's 60th anniversary (1960-2020) with an online broadcast.
Bonnie Raitt - Shadow of Doubt
Hardly Strictly Bluegrass Festival
October 3, 2020
Hardly Strictly Bluegrass celebrates it's 20th anniversary with an online broadcast titled “Let The Music Play On”.
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Bonnie Raitt & Boz Scaggs - You Don't Know Like I Know
Farm Aid 2020 On the Road
Sam & Dave classic written by Isaac Hayes and David Porter.
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Sheryl Crow & Bonnie Raitt - Everything Is Broken
[Eric Clapton’s Crossroads 2019]
Eric Clapton, one of the world’s pre-eminent blues/rock guitarists, once again summoned an all-star team of six-string heroes for his fifth Crossroads Guitar Festival in 2019. Held at the American Airlines Center in Dallas, Texas, the two-day concert event raised funds for the Crossroads Centre in Antigua, the chemical dependency treatment and education facility that Clapton founded in 1998.
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'A Tribute To Mose Allison'
Celebrates The Music Of An Exciting Jazz Master
Raitt contributed to a new album, If You're Going To The City: A Tribute To Mose Allison, which celebrates the late singer and pianist, who famously blended the rough-edged blues of the Mississippi Delta with the 1950s jazz of New York City.
NPR's Lulu Garcia-Navarro talks to Bonnie Raitt about her friendship with the Mose Allison. They're also joined by Amy Allison — his daughter, who executive produced the album — about selecting an unexpected list of artists to contribute songs to the album.
Recorded on tour June 3, 2017 - Centennial Hall, London - Ontario Canada